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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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220<br />

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The individual parts have provoked comments just as<br />

varied9, and Nabokov himself and his moral attitude<br />

when composing Pale Fire have been objects of both<br />

doubt and admiration.<br />

10<br />

Shade's poem, if taken by itself, does not present<br />

too much of a problem. The difficulties of Kinbote's<br />

story, too, can be overcome. He plants hints and<br />

clues quite generously, and with their help and some<br />

combinational talent it is possible to connect the<br />

various bits of the puzzle of his invented story and<br />

thus to arrive at the real story behind it and to<br />

recognize the levels of truth and reality in it, which<br />

are rather blurred at first. The basic questions,<br />

those that most tease and puzzle the reader and have<br />

given rise to irritation on the one side and to amused<br />

bewilderment or admiration on the other side, are<br />

those which concern the novel as a whole: the relation<br />

between the two principal characters, Shade and<br />

Kinbote; the relation between the two main parts,<br />

the poem and the commentary (there seems to be no<br />

connection at all), and the meaning of it all.<br />

A number of critics have arrived at the conclusion<br />

that Pale Fire is a malicious satire on scholars and<br />

scholarly editorial work, using parody as its medium,<br />

and have left it at that<br />

ll,<br />

and this is a plausible<br />

enough conclusion if the work is taken at its face<br />

value, <strong>for</strong> with its four parts it mimicks the <strong>for</strong>m<br />

of a scholarly edition of a poem perfectly. Foreword,<br />

commentary and index all give the impression that<br />

here a diligent and conscientious scholarly editor

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