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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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147 -<br />

and it is also appropriate and logical that he and<br />

Margot should feel mutually attracted and that Margot<br />

should stay with him.<br />

"Love is blind" remarks the postman (LD, 119) - again<br />

talking to the hall-porter as on the occasion when<br />

Albinus tried to intercept Margot's letter. Albinus'<br />

blindness consists, in conventional terms, in not<br />

seeing what everybody else does see "this little<br />

slut is going to be the ruin of him" (LD, 105). On<br />

another level it consists in mistaking Margot <strong>for</strong> something<br />

superior, namely <strong>for</strong> one of those creatures<br />

in which rest elements of that "pure, eternal, unchanging<br />

beauty" towards which man aspires.<br />

Through her he wants to penetrate to the infinite<br />

and elusive realm of beauty, that is, to some reality<br />

that is superior to the "average reality" which man<br />

normally experiences. Instead he gets caught up in<br />

the camera obscura world which is Margot's and Rex's<br />

and of which they are part, and thus loses all chance<br />

and hope of ever experiencing what he is yearning <strong>for</strong>.<br />

Instead of getting any nearer that superior realm,<br />

he has moved away from it, <strong>for</strong> the camera obscura<br />

world is inferior even to the average world of man<br />

and completely removed from "true reality". It does<br />

not even share the "average reality" our world possesses.<br />

Its so-called "reality" consists only of fleeting<br />

shadow images of our world, those "degrading images"<br />

86<br />

which film makers produce and in terms of which<br />

Margot has been described throughout. It is obvious<br />

that Albinus' attachment to one of those images can

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