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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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368<br />

-<br />

a few examples out of a great many more; and there<br />

are instances when Nabokov (through Van) does indeed<br />

per<strong>for</strong>m some of the "semiprivate executions" that<br />

worry Fowler, such as when he mocks at Pasternak's<br />

Doctor Zhivago by turning it into "Les Amours du<br />

Docteur Mertvago, a mystical romance by a pastor" (55).<br />

"Mertvago", as C. Proffer explains, means "dead", whereas<br />

"Zhivago" in the real title means "alive", "living",<br />

and there is, of course the parody of the religious<br />

concerns of the novel.<br />

19<br />

D. H. Lawrence is abolished<br />

together with the author of Fanny Hill: "... the chatter,<br />

the lays and the fannies of rotting pornographers...<br />

" (270); T. S. Eliot is ridiculed (505-506),<br />

and G. L. Borges appears as "Osberg (Spanish writer of<br />

pretentious fairy-tales and mystico-allegoric anecdotes,<br />

highly esteemed by short-shift thesalists)"<br />

(344).<br />

However, Van is not always so outspoken about his<br />

parodies; the reader and critic has to spot them <strong>for</strong><br />

himself. Alfred Appel has pointed out that the "thorny"<br />

first three chapters "surely parody the reassuring<br />

initial pages of those traditional novels... which prepare<br />

the reader <strong>for</strong> the story about to unfold by<br />

supplying him with the neat and complete psychological,<br />

social, and moral pre-histories of fictional<br />

characters.,,<br />

20<br />

The three chapters do proyide glimpses<br />

of the pre-histories of the characters, but they do<br />

anything but unfold these histories neatly. They require<br />

the "rereader", invoked on page nineteen, to<br />

disentangle the complicated genealogy, made all the

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