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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 66<br />

-<br />

ment. Ridiculous persons are not simply "unlike",<br />

they are also "bad in a way which renders [them] worth-<br />

less or of no account even as bad"11, and they are<br />

"inferior, either to the ordinary, or at least inferior<br />

to what has been thought or claimed about<br />

[them]"12<br />

inferior also "in a way which obviates the possibility<br />

of taking them seriously, that is as the object of any<br />

serious emotion. " 13 The term "ludicrous", as Olson<br />

uses it, has no moral implication. The basis of the<br />

ludicrous, too, is "unlikeness", but it is an unlikeness<br />

that makes a person neither worthless nor inferior.<br />

There is no element of degradation in it; it<br />

is, rather, the unexpected, surprising, sometimes bi-<br />

zarre unlikeness of the odd, the eccentric, and the<br />

quaint.<br />

14<br />

It can be stated at once that Pnin belongs to the<br />

second category of comic persons. The background (the<br />

standard) against wh*ich he is seen and against which<br />

nearly everybody around him measures him, is a section<br />

of modern (American)<br />

society: the population of Wain-<br />

dell and Waindell College campus.<br />

_<br />

Pnin's. very name is odd. It is a very unusual name:<br />

"a preposterous little explosion" (32), unpronounce-<br />

able <strong>for</strong> American tongues (26). It is, incidentally,<br />

also the name of the eighteenth century Russian poet<br />

Ivan Pnin, and, together with its allusions to one of<br />

that poet's works, it is one of <strong>Nabokov's</strong> "private<br />

Russian jokes" and is coloured by all sorts of associ-<br />

ations (as the names of comic persons often are),<br />

which also reflect on Pnin and his behaviour. . 15

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