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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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151<br />

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the truth of the theory developed in that novel.<br />

Humbert is all the more guilty as he is perfectly<br />

aware of it all. He knows that the words "<strong>for</strong> ever"<br />

do not refer to the real child, that in a few years<br />

she will cease being a nymphet, and there is the<br />

thought in his mind<br />

that around 1950 I would have to get rid<br />

somehow of a difficult adolescent whose<br />

magic nymphage had evaporated (170),<br />

but quite early, during their first trip, he firmly<br />

decides "to ignore what I could not help perceiving"<br />

and he makes this decision <strong>for</strong> purely selfish rea-<br />

sons: "in order to enjoy my phantasms in peace" (276).<br />

Erich Fromm, in The Art of Loving, names respect<br />

and knowledge as two of the essential constituents<br />

of love. He uses "respect" in the old meaning, sug-<br />

gested by its root: "respicere" = "to look (back)<br />

at"; "regard"; "to pay attention to"; "to observe<br />

carefully"; "to regard as being of a certain kind"<br />

91,<br />

and takes it to be the ability to see a person as he<br />

really is, to see him as having a unique and quite<br />

individual personality. To love a person means to<br />

feel as one with that person as he is, not as one<br />

would like him to be, or as he ought to be.<br />

92<br />

To<br />

obtain real knowledge of a person is possible only<br />

if one overcomes all self-interested motives and<br />

succeeds in seeing that other person as he sees<br />

himself.<br />

93<br />

It is only at the end, and when she is lost to<br />

him, that "respect" and "knowledge" enter into Hum-<br />

bert's feelings <strong>for</strong> Lolita. When he sees her be<strong>for</strong>e

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