''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 472 - N0TESto LOOKATTHEHARLEQUINS! 1 2 3 4 5 6 7 8 9 10 Vladimir Nabokov, Look at the Harlequins! (Weidenfeld and Nicolson, London, 1975). See John Skow, "Butterflies Are Free", Time, 7 October, 1974, p. E8. See the picture facing page 64 in Vladimir Nabokov, Speak, Memory, rev. ed., (Weidenfeld and Nicolson, London, 1967). Richard Patteson, "Nabokov's Look at the Harlequins!: Endless Re-creation of the Self", Carl R. Proffer, Ellendea Proffer, eds., Russian Literature TriQuarterly, (Ann Arbor, 1977), p. 85. Vladimir Nabokov, Invitation to a Beheading, (Weidenfeld and Nicolson, London, 21973), p. 19. Vladimir Nabokov: "I am writing two things now 1. a short novel about a man who liked little girls - and it's going to be called The Kingdom by the Sea - Letter to Edmund Wilson, April 7,1947, ...; The Nabokov-Wilson Letters, 1940-1971, edited by Simon Karlinsky, (New York, 1979), p. 188. Richard Patteson, "Nabokov's Look at the Harlequins! ", p. 91. Ibid., p. 92. Vladimir Nabokov in an Interview with Allene Talmey, Vogue, Christmas number 1969, reprinted in Vladimir Nabokov, Strong Opinions, (London, 1974), p. 157. Vladimir Nabokov in an Interview with Alvin Toffler, Playboy, January 1964, reprinted in Strong Opinions, p. 45.
BIBL10GRAPHY I. Primary Sources 1. 1.1. Nabokov Fictional Prose 1.2. 1.3. 2. Non-Fictional Interviews Other Prose II. Reference III. Criticism 1. Nabokov 1.1. Books on Nabokov 1.2. Articles 2. Publications on the Theory of the Comic 3. General Works
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''Vladimir Nabokov's Comic Quest fo
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Abstract Nabokov once said that "re
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Introduction
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-2- granting that the Bolshevist an
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-4- consent, was motivated by the a
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-6- on the aspects of life that int
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-8- importance but its art, only it
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- 10 - of. the novels, consist in t
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- 12 - life with its hazards and in
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- 14 - lives of individual persons,
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- 16 - is convinced to really know
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- 18 - hopeless, but Nabokov does n
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- 20 - for the artist, is expressed
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- 22 - a new, wholly artistic reali
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- 24 - way, and this knowledge and
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- 26 - internal evidence of Invitat
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- 28 - Admittedly not all of Naboko
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- 30 - "tr. ue reality" in that it
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- 32 - the manner in which the subj
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- 34 - The case is quite similar in
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- 36 - lines of play 11120 will in
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- 38 - him knowledge surpassing tha
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- 40 - the present. This act of rec
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- 42 - design in the life of Martin
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- 44 - Martin's mother of her son's
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- 46 - is blind where his wife and
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- 48 - serious and profound experie
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I. The Eye Pnin Lolita; Laughter*in
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- 51 - novel. They illustrate how p
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- 53 - tearing the banknote into li
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- 55 - have before: after the suici
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- 57 - imagination of Gretchen best
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- 59 - deed been through an experie
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- 61 - there must be some "model" a
Page 69 and 70:
- 63 - P NI N In their appreciation
Page 71 and 72:
- 65 - For the sake of convenience
Page 73 and 74:
- 67 - Pnin's appearance is comic,
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- 69 - all-the time. He suffers an
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- 71 - existence" (13). In his pres
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- 73 - is going to give, on his per
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- 75 - exist in such big sea" (60).
Page 83 and 84:
- 77 - directly from Pnin's peculia
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- 79 - them at least 10ok like his
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- 81 - indeed only the very thinnes
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- 83 - but the group of academics w
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- 85 - "schools and trends", and is
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- 87 - which induces the reader to
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- 89 - and-smiles at, there emerges
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- 91 - More depth and reality are a
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- 93 - cp. 180). The narrator also
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95 - being accurate in every point,
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- 97 - standing of a "truly human b
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- 99 - eternal beauty, and his conv
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- 101 - One luckless early critic w
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- 103 - says "well-read" Humbert Hu
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- 105 - surface, into the initial m
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- 107 - age. She was the "initial g
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- 109 - and implies in the parody t
Page 117 and 118:
- 111 - He is equally inaccurate in
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- 113 - with Quilty; and, of course
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- 115 - or to hold her on his knee
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- 117 - ations ) (98). And he descr
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- 119 - a strident, harsh high voic
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- 121 - When Humbert talks of his d
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- 123 -- could victimize her poor d
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- 125 - this twelve-year-old girl s
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- 127 - done her morning duty" (161
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- 129 - experience, up to a certain
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- 131 - her: "... -a life full of t
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- 133 - Looking at it for a moment
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- 135 - and Axel Rex delightful. Bu
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- 137 - critics have made her, and
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- 139 - not record images of the sy
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- 141 - ous hallucination" (287). 6
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- 143 - No hereafter is acceptable
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- 145 - be possible for him to be t
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- 147 - and it is also appropriate
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- 149 - But Humbert's view of Lolit
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- 151 - the truth of the theory dev
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- 153 - part of it. Even with the i
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- 155 - THE REAL LIFE OF SEBASTIAN
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- 157. - consistent set of characte
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- 159 - gathered from various sourc
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- 161 - a very close one, and it se
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- 163 - tiously follows all the mov
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- 165 - go about it), behaving as i
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- 167 - infinite trouble what he co
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- 169 - What were the things that r
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- 171 share", as a good biographer
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- 173 - seems to him too colourless
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175 - parody of what Stegner calls
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- 177 - that lead to it, he is sing
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- 179 - the time during which he li
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- 181 - France. He is tormented by
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- 183 - on the last page of the nov
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- 185 - what he wants to find, that
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- 187 - would not see him. Somewhat
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- 189 - he falls back on passages f
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- 191 - ticism as one possible way
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- 193 - The passages betray not onl
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- 195 - This "mental jerk" grants k
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- 197 - clear, and the harmony and
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- 199 - initiated the insight. In l
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- 201 - himself, and in it V appear
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- 203 - novels of Sebastian Knight,
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- 205 - All those that knew Sebasti
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- 207 - in his opinion not have for
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- 209 - others as his remoteness an
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- 210 - THEDEFENCE R. H. W. Dillard
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- 212 - his own future, and it beco
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- 214 - Unlike Shade, however, Luzh
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- 216 - has recognized as the basic
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- 218 - The sensitive reader dislik
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- 220 - The individual parts have p
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- 222 - for the overall comic effec
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- 224 - Americans of today. "24 He
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- 226 - learn anything, to wrap it
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- 228 - exhausted. Kinbote uses it
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- 230 - (24-25). He talks about how
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- 232 - "Parents" (1,71), "my bedro
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- 234 - commentary, and they also o
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- 236 - forbidden knowledge of whic
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- 238 - than he thought it was46: B
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- 240 - following the road of its r
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- 242 - actually sees Kinbote, lose
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- 244 - emerges that the man whom h
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- 246 - sions, shows that even the
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- 248 - superficially is about. He
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- 250 - "really" Kinbote who has wr
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- 252 - standing' of the poem do no
Page 261 and 262:
- 254 - Shade mentions a famous fil
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- 256 - is left-handed (180) and he
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- 258 - The sea's a thief, whose li
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- 260 - much a person even on the l
Page 269 and 270:
- 262 - In the relationship between
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- 264 - even for his own death. It
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- 266 - TRANSPARENT THINGS An old N
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- 268 - the name as if it were simp
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- 270- Armande that has brought him
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- 272 - a conscious effort. Things
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- 274 - intention either to convey
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- 276 - past with utmost precision
Page 285 and 286:
- 278 - Hugh Person ignores a vague
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- 280 - the wall which in his wakin
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- 282 - thus opening the view into
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- 284 - tain moments he positively
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- 286 - We thought that he had in h
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- 288 - The thought throws more lig
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- 290 - That Nabokov does consider
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- 292 - which strangely prefigures
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- 294 - become no doubt a new bible
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- 296 - It probably is Mr. R. 's ph
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- 298 - DESPAIR Despair1, though wr
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- 300 - rendering a certain sound t
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- 302 - I have grown much too used
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- 304 - dimensions of artistic crea
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- 306 - when he starts writing his
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- 308 - in its capability of photog
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- 310- next morning, none would bel
Page 319 and 320:
- 312 - To the end, then, he remain
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- 314 - tangible double of himself,
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- 316 - this attack of his second s
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- 318 - ... the ruddy horror of my
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- 320 - only a limited number of su
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- 321 - BENDSINISTER INVITATIONTOAB
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- 323 - the Dark Comedies of the Tw
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- 325 - and that one has first to p
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- 327 - the absurd fate he himself
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- 329 - perhaps in some archaic let
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- 331 - this fantasy with bits of L
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- 333 - in the solution it offers.
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- 335 - no more than the strange an
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- 337 - clown (IB, 104-105). And th
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- 339 - of the original still shine
Page 349 and 350:
- 341 - each of them. There is Mart
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- 343 - "cleared his throat and sof
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- 345 - and then perhaps we shall s
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- 347 - our own world , and with it
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- 349 - the river we see him fishin
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- 351 - inspired by a picture on wh
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- 353 - do not conceal them must di
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- 355 - also the only one who can i
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- 357 - (IB, 26) and only his doubl
Page 367 and 368:
- 359 - Cincinnatus no longer what
Page 369 and 370:
- 361 - He speculates about time in
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- 363 - ADA Ada1 has more than any
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- 365 - combine to form the surface
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- 367 - ... a string of stock scene
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- 369 - more confusing by the great
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- 371 - of aspens; they embraced,..
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- 373 - aux caprices de son age. «
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- 375 - pipes into "borborygmic con
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- 377 - Swann et la Lesbie de Catul
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- 379 - in quite a new light and de
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- 381 - of a comic strip cartoon [1
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- 383 - and van's divans and cushio
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- 385 - ernized barracks for misfit
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- 387 - (385). Van himself is calle
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- 38-9 - "Don't forget normal adult
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- 391 - Ada have an equally profoun
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- 393 - her, and telling himself "t
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- 395 - agents from an alien countr
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- 397 -. - cribed by Aristophanes i
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- 399 - stored in their minds, of a
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- 401 - Since nature was traditiona
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- 403 and the Present. Like his cre
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- 405 - way one may wish and try to
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- 407 - liberated from "Numbers and
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- 409 - his own memory of the Past,
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- 411 - only meet again after twelv
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- 413 - and Present are blended by
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- 415 - of his publications as "buo
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- 417 - tion. Pain and physical dea
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- 418 - LOOKATTHEHARLEQUINS! "Look
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- 420 - minor minds, and such vital
Page 431 and 432: - 422 - Ada also appear in it: some
Page 433 and 434: - 424 - he himself seems puzzled. I
Page 435 and 436: - 426 - obvious anyway, is undersco
Page 437 and 438: - 428 - intimately interwoven with
Page 439 and 440: - 430 - ture of the author, one may
Page 441 and 442: - 432 - was) I have gained some exp
Page 443 and 444: Notes Bibliography
Page 445 and 446: - 435 - 19 20 21 22 23 24 25 26 27
Page 447 and 448: - 437 - 68 69 70 71 72 73 74 75 76
Page 449 and 450: - 439 - 111 112 113 114 115 116 Nor
Page 451 and 452: - 441 - N0TES to THEEYE 1 Vladimir
Page 453 and 454: - 443 - 21 22 23 24 25 26 27 28 29
Page 455 and 456: - 445 - N0TES to LOLITA and LAUGHTE
Page 457 and 458: - 447 - 44 45 46 47 48 49 50 Vladim
Page 459 and 460: - 449 - 83 84 85 86 87 88 89 90 91
Page 461 and 462: - 451 - 19 20 21 22 23 24 25 26 27
Page 463 and 464: - 453 - 60 61 62 63 Vladimir Naboko
Page 465 and 466: -. 455 - N0TESt0PALEFIRE 1 2 3 4 5
Page 467 and 468: - 457 - 27 Andrew Field, Nabokov, H
Page 469 and 470: - 459 - 56 57 58 59 60 Ibid., p. 72
Page 471 and 472: - 461 - NOTESTOTRANSPARENTTHINGS 1
Page 473 and 474: - 463 - NOTES to DESPAIR 1 . Vladim
Page 475 and 476: - 465 - N0TES to BEND SINISTER and
Page 477 and 478: - 467 - 38 G. M. Hyde, Vladimir Nab
Page 479 and 480: - 469 - 24 25 26 27 28 29 Vladimir
Page 481: - 471 - 71 Op. cit., pp. 147-148. 7
Page 485 and 486: - 474 - Nabokov, Vladimir, Pale Fir
Page 487 and 488: - 476 - "Vladimir Nabokov on His Li
Page 489 and 490: -- 478 - II. Reference Bryer, Jacks
Page 491 and 492: - 480 - Stuart, Dabney, Nabokov, Th
Page 493 and 494: - 482 - Dembo, L. S., "Vladimir Nab
Page 495 and 496: - 484 - Hyman, Stanley Edgar, "The
Page 497 and 498: - 48ti-. - (Autumn, 1968), pp. 655-
Page 499 and 500: - 488 - Arbor, 1974), pp. 70-83. Sk
Page 501 and 502: - 490 - Heidsieck, Arnold, Das Grot
Page 503: - 492 - Shelston, Alan, Biography,
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