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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 456<br />

-<br />

10<br />

11<br />

12<br />

13<br />

Richard Kostelanetz, "<strong>Nabokov's</strong> Obtuse Fool",<br />

p. 485: "... one feels in the end', Nabokov...<br />

may not wish to risk a concrete seriousness<br />

about human life. "<br />

Alfred Chester, "<strong>Nabokov's</strong> Anti-Novel", p. 452:<br />

"His comedy is a lie. It is evil like racial<br />

prejudice. "<br />

Mary McCarthy, "Vladimir <strong>Nabokov's</strong> Pale Fire",<br />

p. 84: "... a creation of ... moral truth. "<br />

Gilbert Highet, "To the Sound of Hollow Laughter",<br />

p. 90.<br />

John Broderick, "Appearance and Reality", Irish<br />

Times, Dec. 1,1962, p. 8.<br />

14 opt<br />

Alan Rodway, The Truths of Fiction, (London,<br />

91970),<br />

p. 144.<br />

For the whole passage: John D. Jump, Burlesque,<br />

The Critical Idiom, 22, (London, 1972), Ch. IV,<br />

pp. 18-36.<br />

15<br />

16<br />

17<br />

18<br />

19<br />

Vladimir Nabokov, "Reply to My Critics",<br />

Encounter, February, 1966, reprinted in Vladimir<br />

Nabokov, Strong Opinions, pp. 241-267.<br />

Ibid., p. 247.<br />

Ibid., p. 251.<br />

Ibid., pp. 249-250.<br />

Vladimir Nabokov, "Pounding the Clavicord",<br />

The New York Review of Books, April 30,1964,<br />

reprinted in Vladimir Nabokov, Strong Opinions,<br />

p. 231.<br />

20 Ibid., p. 237.<br />

21<br />

22<br />

23<br />

24<br />

25<br />

26<br />

Vladimir Nabokov, "Reply to My Critics, Strong<br />

Opinions, p. 241.<br />

Aleksandr Pushkin, Eugene Onegin, Translated<br />

from the Russian, with a commentary, by Vladimir<br />

Nabokov, rev. ed., (Princeton University Press,<br />

1975), Vol. I, pp. XI, XIII.<br />

Op. cit., Vol. 11, p. 79.<br />

Op. cit., Vol. IV, p. 9.<br />

Op. cit., Vol. II, pp. 344ff.<br />

Cp. <strong>for</strong> example his criticism of D. I. Chizhevski:<br />

Op. cit., Vol. I, p. 60; Vol. II, pp. 80,221,288,306,<br />

314,348,355,517 etc. etc.

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