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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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-<br />

174 -<br />

In the degree in which V's search concentrates<br />

<strong>for</strong> a while not so much on Sebastian but on the mysterious<br />

Russian woman from whom he expects revelations<br />

about his brother, the detective elements in V's account<br />

become more and more prominent. In detective<br />

stories, the detective almost invariably deals with<br />

murder cases. He looks into the circumstances that<br />

led to the murder, and his aim, always brilliantly<br />

achieved, is the hunting down of the murderer. V's<br />

is obviously not a murder case, but all the elements<br />

are there to give to his further work the basic pattern<br />

of a detective story: "One corpse, one investigator,<br />

some obscure photographs and burned letters,<br />

a mysterious woman..., faint clues dropped here and<br />

there.. . 1127<br />

To find the mysterious woman, V says, is "a scientific<br />

necessity", <strong>for</strong> she is "the missing link in<br />

[Sebastian's]<br />

evolution" (112). V himself now makes<br />

allusions to the detective qualities of his work:<br />

"The question is how, not why", he pronounces, quite<br />

in the manner of a professional detective, in answer<br />

to one of Mr Silbermann's questions (120), and prides<br />

himself on a "Sherlock Holmes stratagem" on another<br />

occasion (143). But whatever he may think of his detective<br />

talents, it becomes ever more apparent that<br />

they are minimal. And just as V can in no way be<br />

said to be a match <strong>for</strong> the classical detective with<br />

whom he compares himself, all the other detective<br />

elements soon turn out to be only superficially like<br />

their models. Parody now takes over completely,

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