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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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-<br />

390 -<br />

of unhappiness and loneliness:<br />

As she began losing track of herself,<br />

she thought it proper to in<strong>for</strong>m a series<br />

of receding Lucettes - telling them to<br />

pass it on and on in a trick-crystal<br />

regression - that what death amounted<br />

to was only a more complete assortment<br />

of the infinite fractions of solitude<br />

(494).<br />

Van and Ada have found their own individual ways<br />

of at least trying to survive and to preserve their<br />

sanity in this depressing world which is hell. "...<br />

independent and original minds", says Van, "must cling<br />

to things or pull things apart to ward off madness or<br />

death... " (220). This need explains what Sissela Bok<br />

sees in'a purely negative light and what she calls<br />

...<br />

the disturbances in the attitudes of<br />

both Van and Ada: their desire to take<br />

and collect life, in the <strong>for</strong>m of plants<br />

or insects, to preserve them and their<br />

beauty; to collect, to classify, to attempt<br />

to grasp all of creation <strong>for</strong> themselves.<br />

43<br />

Earlier on Van's and Ada's various interests and<br />

passions were discussed; they are indeed comprehensive<br />

and in some points seem to confirm what Sissela Bok<br />

says about them. There is Ada's profound curiosity<br />

and knowledge about insects and birds and plants<br />

which is almost an obsession with her. She has a posi-<br />

tive mania <strong>for</strong> analysis and pedantic specification<br />

when talking about them; she has a perfectionist<br />

dream of "a special Institute of Fritillary larvae<br />

and violets - all the special violets they breed on"<br />

(57); she copies in minute detail or, on paper, com-<br />

bines in "unrecorded but possible" ways<br />

,<br />

different<br />

species of orchids with each other (99). Both Van and

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