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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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133<br />

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Looking at it <strong>for</strong> a moment with moral terms in<br />

mind, one might even say that when she leaves Humbert<br />

and runs away with Quilty she does the most moral<br />

thing she can do in her situation. Unlike Margot,<br />

who stays with unloved Albinus <strong>for</strong> the sake of luxury,<br />

Lolita is not willing to stay with Humbert, whom she<br />

does not love, merely <strong>for</strong> the sake of material security<br />

and com<strong>for</strong>t. She follows Quilty because she is in<br />

love with him. She does not see through him at that<br />

stage and has no idea, what "weird, filthy, fancy<br />

things" (269) she will be expected to take part in on<br />

52<br />

his ranch with the telling name. It seems, in fact,<br />

that the critics are somewhat inconsistent with regard<br />

to Lolita. They see her as a product of her edu-<br />

cation, a. child who has learnt to "think and feel<br />

only in terms of outwardly inspired stereotypes"<br />

53;<br />

they admit that her education does not "enable [Lolita]<br />

to distinguish between the truly perverted and nature's<br />

faithful hounds"54; and they state that the<br />

whole society in which she grows up is corrupt: "It<br />

is no accident that Quilty is rich and successful,<br />

that he has 'friends' on the police <strong>for</strong>ce,<br />

... a reputation<br />

55<br />

as an outstanding playwright.,, Granted all<br />

this, it seems unfair to expect insights of her that<br />

would be superior to those of which anybody around<br />

her is capable. Seeing in Humbert a dirty<br />

told man and<br />

in Quilty a genius she does only what society has<br />

taught her. It seems equally unfair to accuse her of<br />

a "horrifying" lack of imagination because she is un-<br />

able to imagine Humbert's state of mind.<br />

56<br />

This<br />

is

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