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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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210<br />

-<br />

THEDEFENCE<br />

R. H. W. Dillard, discussing <strong>Nabokov's</strong> novels,<br />

discovers in them close affinities to Russian litera-<br />

ture. One of its characteristics is, he says, that<br />

its<br />

world<br />

is<br />

... one in which a coincidence is a<br />

controlled event and in which the creative<br />

freedom of man is involved in the<br />

discovery of the pattern of his destiny<br />

rather than in <strong>for</strong>ming the future himself<br />

out of a chaos of possibilities.<br />

In various ways a number of <strong>Nabokov's</strong> novels<br />

illustrate the points Dillard makes about Russian<br />

literature. The early novel The Defence, and two novels<br />

which Nabokov wrote when he had long begun to consider<br />

himself an American writer: Pale Fire and Transparent<br />

Things, seem to continue the Russian tradition.<br />

Nabokov makes the "discovery of the pattern" part of<br />

his quest <strong>for</strong> "true reality". People do not normally<br />

see more than the "average reality", or even only the<br />

"thin veneer of immediate reality", of their lives:<br />

what they see appears to them chaotic. The events<br />

and incidents of their lives do not seem to them to<br />

be in any way logically connected but seem to follow<br />

each other haphazardly and without any recognizable<br />

design or purpose.<br />

None of the novels quoted, however, leaves any<br />

doubt about the fact that "a coincidence<br />

a con-<br />

`is<br />

trolled event". Behind the seemingly chaotic surface<br />

and "average reality" another (true) reality is re-<br />

vealed. In it each event and incident can be seen to<br />

have its function and purpose, and in it even the

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