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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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155<br />

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THE REAL LIFE OF SEBASTIAN KNIGHT<br />

The novel which resembles The Eye more closely than any<br />

of the others is The Real Life of Sebastian Knight<br />

1<br />

Like The Eye it deals with the quest <strong>for</strong> the "true<br />

reality" of a person, as defined at the beginning of<br />

the chapter about that novel, and also with Sebastian's<br />

quest <strong>for</strong> self-knowledge. The basic <strong>for</strong>mula is essentially<br />

the same as that of the earlier novel: Sebastian,<br />

of whose death we are in<strong>for</strong>med on the second page of<br />

the novel, emerges at the end as its author, just as<br />

the "dead" narrator of The Eye emerges as the very person<br />

he is talking about, so that the experience that<br />

both Smurov and Sebastian go through might be called,<br />

in the words of Mr Silbermann in The Real Life of<br />

Sebastian Knight a "dress rehearsal of death" (120),<br />

an experience which somewhat later the poet Shade in<br />

Pale Fire and Mr. R. in Transparent Things will share<br />

with them. For the purpose of writing the book Sebastian<br />

has split into two like Smurov, one observing, the other<br />

being observed, and these two, V and Sebastian, merge<br />

back into one on the last page of the novel. The device<br />

is disclosed (or rather hinted at) only in the last<br />

paragraph, although one comes to suspect it much ear-<br />

lier. Nearly until the end the pretence that V is<br />

a real person writing about Sebastian is consistently<br />

maintained, and on a special level this can<br />

accepted as a fact.<br />

even<br />

be<br />

After the negative and pessimistic conclusion of<br />

the earlier novel and after what has emerged from Pnin<br />

the title of the later one with its implied promise

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