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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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68<br />

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words. He misapplies the words he has learnt with so<br />

much devotion, thus creating some amazing mental pic-<br />

tures ("I only am grazing" [40]). He also uses adven-<br />

turous word <strong>for</strong>mations all of his own which he uncon-<br />

cernedly creates by analogy ("abstractical" [11]) or<br />

by simply "Englishing" Russian words ("quittance"<br />

[18]). He constantly moves on the wrong level of Eng-<br />

lish, using <strong>for</strong>mal words and phrases (not excluding<br />

archaisms), no matter whether he is having a chat over<br />

a meal or just asking someone to his house:<br />

So I take the opportunity to extend a<br />

cordial invitation to you to visit me<br />

this evening. Half past eight, postmeridian.<br />

A little house-heating soiree,<br />

nothing more. Bring also your spouse -<br />

or perhaps you are a Bachelor of Hearts?<br />

(150-151)<br />

Even when his English is not quite wrong, it is just<br />

off the mark; most of the time it is <strong>for</strong>mal and stilted;<br />

so much so, in fact, that an occasional colloquialism<br />

("O. K. " [104]) sounds rather out of place.<br />

Something else must infallibly make him appear comic<br />

to all those around him, and that is his, apparent in-<br />

competence and helplessness in everyday situations and<br />

with regard to commonplace little problems. He seems<br />

to be quite unable to cope with life and its daily<br />

little hazards in the same way as everybody else.<br />

Pnin is on safe ground with literature. He loves it,<br />

he understands it, he knows how to approach it, but<br />

once he leaves his preoccupation with Russian litera-<br />

ture and lore, he is on safe ground no longer. He then<br />

seems to enter a completely new and dangerous world,<br />

full of treacherous pitfalls, in which he gets caught

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