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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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221<br />

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has been at work and has spared no trouble in his<br />

attempt to help the reader in his approach to the<br />

poet and his poem and to elucidate its problems <strong>for</strong><br />

him. However, the <strong>for</strong>m is deceptive. It only serves<br />

to trap the reader into believing that he is on safe<br />

ground, into feeling secure and at ease because he<br />

thinks he is concerned with something very familiar.<br />

This security is then shattered by the realization<br />

that what looked at first sight like the well-known<br />

"real thing" is after all disturbingly different from<br />

what it appears to be. This happens here just as it<br />

happens in The Real Life of Sebastian Knight, and<br />

the causes are the same.<br />

There is in Pale Fire the same promise and pretence<br />

of scrupulous and scholarly research, of objectivity<br />

and truth as in Sebastian Knight, but the<br />

promise is not kept. The result is the same comic<br />

incongruity between <strong>for</strong>m and contents; in fact, it<br />

is much more obvious here than in the earlier novel.<br />

There is the echoing of typical <strong>for</strong>mulations, which,<br />

through their incongruous contents, sound off the<br />

note. There is, too, the same exaggeration of characteristic<br />

traits of the genre that is imitated.<br />

Its typical techniques and devices seem to be mirrored<br />

perfectly, and yet have an odd look about them because<br />

they are carried to ridiculous extremes., Its very<br />

faults, potential and real, are so grotesquely multiplied<br />

and magnified that "its worst potentialities<br />

are seen realized. ' 12/13 All these taken together<br />

"tip imitation into parody"14 and are responsible

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