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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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326<br />

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a Beheading the comic elements have a double function.<br />

The same comic devices that deepen by contrast the<br />

depressing or the frightening sides of things also<br />

expose these same things, stress their absurdity, and<br />

hold them up to ridicule. For examples of this one<br />

needs only look at the political systems and some of<br />

the laws in Bend Sinister and Invitation to a Beheading.<br />

"... the utterly nonsensical is a natural and logical<br />

part of Paduk's rule" (BS, 78), old Maximov, who<br />

proves to be so much more clairvoyant with regard to<br />

Paduk than Krug, "the thinker" (BS, 168), neatly summarizes<br />

the total impression one gets when one looks<br />

at the various features of this rule and of the state,<br />

and old Maximov's words also apply to the state and<br />

the laws in Invitation to a Beheading.<br />

The utterly nonsensical shows <strong>for</strong> example in a<br />

certain "amusing new law" (BS, 159) that concerns<br />

public transport and that, instead of having positive<br />

effects, as a good law should, only serves to create<br />

complete chaos and confusion. It shows in the episode<br />

on the bridge, which, although one is acutely aware<br />

of Krug's desperate state of mind all the time, is<br />

nevertheless comic. In a series of incidents, it demonstrates<br />

the total absence of sense both in the<br />

regulations devised by the ruler and in the heads of<br />

the soldiers, who are clearly expected to maintain<br />

law and order but are just as clearly not intelligent<br />

enough to deal with even so uncomplicated a problem<br />

as someone wishing to cross the bridge. Officious but<br />

illiterate, they almost manage to realize <strong>for</strong> Krug

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