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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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252<br />

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standing' of the poem do not hold as arguments to<br />

rule him out as primary author has been shown. However,<br />

there are clues which, indeed, point to<br />

Shade as the more likely candidate <strong>for</strong> that role.<br />

In connection with The Real Life of Sebastian<br />

Knight the relation (if any) between an author's life<br />

and autobiography and his works has been shown. <strong>Nabokov's</strong><br />

own works abound in details that come clearly<br />

from his own life and experience: persons, major<br />

events, and incidents, but also a goodly quantity of<br />

trivia noticed in passing (like a sign on a snapshot<br />

69),<br />

booth<br />

echoes and scenes from films he has seen<br />

70<br />

and "an extraordinary amount of material drawn from<br />

71<br />

his quotidian.,,<br />

But he makes it quite clear that<br />

all these should not be used to draw conclusions<br />

about his personality. They are mostly taken out of<br />

their original contexts and are combined with new<br />

elements, partly real and partly invented ones, so<br />

that something quite new is created out of them which<br />

has nothing to do with the author's identity. They<br />

go into an author's work <strong>for</strong> purely artistic reasons.<br />

There is in Pale Fire a passage which describes this<br />

very process. Kinbote, talking of Shade, expresses<br />

his own wonder at the process of literary creation:<br />

I am witnessing a unique physiological<br />

phenomenon: John Shade perceiving and<br />

trans<strong>for</strong>ming the world, taking it in,<br />

and taking it apart, re-combining its<br />

elements in the very process of storing<br />

them up so as to produce at some unspecified<br />

date an organic miracle, a fusion<br />

of image and music, a line of verse (27).<br />

Kinbote applies this to the creation of the poem,

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