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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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305<br />

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"Silly, perhaps, but at least clear", he comments on<br />

this (13). It is really not at all clear at this point.<br />

It is only in connection with what one learns later<br />

about Hermann's creative ambition that it becomes somewhat<br />

clearer. He implies in this passage that it is<br />

his power to write, his ability to express ideas vividly<br />

which is the source of all the recent events. Without<br />

his creative faculties "nothing at all would have<br />

happened", and this seems to say quite clearly that<br />

nothing at all has happened.<br />

Yet, in spite of this remark, Hermann is assertive<br />

throughout about the truth of what he is telling. But<br />

Hermann is mad. Many passages, quite apart from his<br />

stylistic idiosyncrasies, indicate a confused state<br />

of mind: "My hands tremble, I want to shriek or to<br />

smash something with a bang... " (14), "I have been sitting<br />

in a queer state of exhaustion, now listening to<br />

the rushing and crashing of the wind... then starting<br />

up all aquiver... " (15); "I was not much out of doors:<br />

it frightened me, that thunder in my head... " (192);<br />

and though, ostensibly, it is at some hotel in France<br />

that he is writing his tale and, later, in some rented<br />

room in a little French village, his attention fails<br />

at some points and the mention of "long white passages"<br />

where the doctor "would buttonhole me" (193), and his<br />

mention of the "madhouse" (83) give awaythe fact that<br />

he is locked up in an asylum.<br />

It appears from a great many things that his grasp<br />

of reality has <strong>for</strong> a long time been rather uncertain,<br />

that at some point he lost it altogether, and that,

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