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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 463 -<br />

NOTES to DESPAIR<br />

1<br />

. Vladimir Nabokov, Despair, (Weidenfeld<br />

21966).<br />

and Nicolson,<br />

London,<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

8<br />

9<br />

10<br />

Vladimir Nabokov, Foreword, Despair, p. 9.<br />

Wayne C. 9ooth, The Rhetoric of Fiction, (Chicago,<br />

London, 1968), p. 206.<br />

"A good word, that! Ornate, but good... ", p. 39.<br />

"Rather bulky imagery this. ", p. 14.<br />

"What a pun! ", p. 79.<br />

"I note <strong>for</strong> my own pleasure the smooth run of that<br />

sentence. ", p. 42.<br />

"... that rhythm is <strong>for</strong>eign to modern speech, but<br />

it renders, especially well, my epic calm and the<br />

dramatic tension of the situation. ", p. 163.<br />

"Don't quite see why I write in this vein. ", p. 14.<br />

"At this point... it is meet, I presume, that I<br />

should bid my prose stand at ease... ", p. 18.<br />

"Let me interrupt this passage, too,... ", p. 76.<br />

"A very slight digression of a literary nature... ",<br />

p. 163.<br />

"One fine day at last Lydia joined me abroad... ",<br />

pp. 188ff.<br />

"I at last found Lydia, who was hiding from me and<br />

who now coolly declared that... she had got the<br />

inheritance all right and was going to marry another<br />

man, 'because, you see,... you are dead. ", p. 209.<br />

,,.., it may happen that in five years or so with the<br />

aid of some timely amnesty, I shall return to<br />

Berlin and manufacture chocolate all over again. ",<br />

p. 220.<br />

11 cp. pp. 92-98.<br />

12<br />

13<br />

"I have got muddled somehow... ", p. 41.<br />

"Sorry, there was really no snake; it was just my<br />

fancy borrowing from Tsar Peter... ", p. 78.<br />

"No, that's wrong. Cancelled. ", p. 199.<br />

"Ought to be corrected, were it not wicked to<br />

erase; <strong>for</strong> the real author is not I bVt my impatient<br />

memory. ", p. 47.<br />

"These conversations with readers are quite silly<br />

too. Stage asides. The eloquent hiss: 'Soft now!<br />

Someone is coming... '", p. 64.<br />

14 Wayne C. Booth, The Rhetoric of Fiction, pp. 224-240.

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