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AN EXERCISE IN WORLDMAKING 2009 - ISS

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152 TERESA LORENA JOPSON<br />

shot from a slightly high angle that makes explicit their effort of dressing<br />

in martial arts clothes and their relaxed spectators in the background.<br />

The audience’ engagement with the woman is only offered. While her<br />

chest is frontal to the camera, her gaze diverts attention. The master narrative<br />

is that women are physically able in the martial arts. This ability is<br />

also transferable to actual military combat. The image reiterates the progressive<br />

stance of the CPP-NPA in terms of gender relationships. The<br />

audience is reminded about gender relations and is likely to agree that<br />

women in the NPA are competent fighters.<br />

Image three is a medium close-up of an NPA member on a sniper<br />

course. The woman appears to be calm as she intently focuses her aim.<br />

The butt of the firearm she is using is wrapped in masking tape, suggesting<br />

the scarcity of NPA resources but also their resourcefulness. The<br />

shot is a close-up yet its angle does not fully disclose the identity of the<br />

woman fighter, important for the security of those featured in this compilation.<br />

Its engagement with the audience is only offered, but the tight<br />

shot focus our attention to the central image.<br />

Image 3. SURE SHOTS:<br />

Sniper courses are among the specialized<br />

military trainings the NPA gives. Ka Johan,<br />

one of the top graduates of her class,<br />

takes aim.<br />

In the background we see that<br />

the woman is alongside other<br />

trainees. We can assume that the<br />

main subject of the photo, Ka Johan,<br />

is practicing with other NPA<br />

members, majority of whom are<br />

males. The caption of the photo<br />

tells us that Ka Johan is one of<br />

the best sharp shooters in her<br />

class. The main narrative of this<br />

photo would again be the ability<br />

of women to excel as fighters<br />

within the NPA. Like the first two<br />

photos, this one adds credibility<br />

to the CPP in being gender sensitive<br />

that it feels no need to comment on the shooter’s gender. At the<br />

same time, women fighters also add an important aspect to the image of<br />

the CPP and the NPA – it negates the stereotype of the army as a group<br />

of war-freak armed men. The audience will then have the image of calm<br />

Ka Johan in mind when they think of NPA snipers. The breaking of the

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