AN EXERCISE IN WORLDMAKING 2009 - ISS
AN EXERCISE IN WORLDMAKING 2009 - ISS
AN EXERCISE IN WORLDMAKING 2009 - ISS
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154 TERESA LORENA JOPSON<br />
Image 5. HUG OF APPRECIATION:<br />
Upon his release in Sorsogon City, Bicol,<br />
POW Police Maj. Roberto Bernal runs back<br />
to embrace one of his erstwhile custodians<br />
– his show of appreciation for the fine<br />
humanitarian treatment given him as a<br />
prisoner of war of the NPA.<br />
Another narrative is the commitment of the CPP-NPA to human rights<br />
and international laws such as the CARHRIHL. Both narratives boost<br />
the CPP’s and NPA’s ethos. The photo shows the organizations’ authority<br />
and credibility, and further describes it as a compassionate authority.<br />
This is based on the warrant that people listen to those who have something<br />
relevant to say, and that organizations that uphold human rights<br />
are compassionate organizations.<br />
The audience is then impressed<br />
with the command of the<br />
organization, and its commitment<br />
to human rights. Those already<br />
sympathetic to the organization<br />
may celebrate these positive<br />
qualities of the CPP and<br />
NPA. Previously turned off audiences<br />
may start being open to<br />
the outlawed organizations upon<br />
this knowledge.<br />
The last photo in this selection<br />
is an image of two men in<br />
an embrace. The medium shot<br />
shows us that one dressed in<br />
white has his back to the camera,<br />
the other, in black, is slightly on<br />
a profile-angle. Since one is wearing<br />
a lighter colored shirt, the<br />
attention is first drawn to him.<br />
We can note that he has a bag<br />
slung over his shoulder. Clad in<br />
black, the other’s paraphernalia<br />
shows us that he is an NPA<br />
soldier. The engagement with<br />
them is offered. Both their faces<br />
are occluded, leaving much to the imagination of the viewer. At the same<br />
time, the choice of angle respects the two men’s privacy in their emotional<br />
moment.