Vision and Studio Vision Pro Version 4.1 Manual ... - House of Synth
Vision and Studio Vision Pro Version 4.1 Manual ... - House of Synth
Vision and Studio Vision Pro Version 4.1 Manual ... - House of Synth
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PART 3: The Acadia Audio System<br />
<br />
Assign a plug-in to the console<br />
channels assigned to Effect 1 <strong>and</strong><br />
Effect 2.<br />
Creating a Submix<br />
You can use busses <strong>and</strong> sends to create<br />
submixes or “groups” within <strong>Vision</strong>. For<br />
example, assume you’ve recorded three<br />
backup singers—each on a different<br />
Audio Instrument (Macella, Maida, <strong>and</strong><br />
Marion).<br />
Each bus assigned<br />
to a separate, single<br />
plug-in<br />
<br />
In one <strong>of</strong> <strong>Vision</strong>’s consoles, assign<br />
three console channels to the three<br />
backup singers.<br />
Use the volume faders in these three<br />
channels to mix the singers so that their<br />
voices blend together nicely.<br />
Relative volumes set<br />
<br />
Adjust the Send levels for each Audio<br />
Instrument.<br />
If you want a channel’s signal to be sent<br />
to the busses without being processed<br />
by its EQ, or its own plug-ins, set the<br />
Pre/Post button Pre.<br />
Figure 10.2: Setting an Audio Send to Pre<br />
Since we’ll be using a stereo bus, you<br />
can also use the pan faders for each<br />
channel to adjust the stereo field <strong>of</strong> the<br />
mix.<br />
Once you are satisfied with the balance <strong>of</strong><br />
the three voices, you’ll want that “mix” to<br />
work as a single unit within the context <strong>of</strong><br />
the entire song. To do so:<br />
74 Opcode Systems, Inc.