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Vision and Studio Vision Pro Version 4.1 Manual ... - House of Synth

Vision and Studio Vision Pro Version 4.1 Manual ... - House of Synth

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PART 3: The Acadia Audio System<br />

<br />

Assign a plug-in to the console<br />

channels assigned to Effect 1 <strong>and</strong><br />

Effect 2.<br />

Creating a Submix<br />

You can use busses <strong>and</strong> sends to create<br />

submixes or “groups” within <strong>Vision</strong>. For<br />

example, assume you’ve recorded three<br />

backup singers—each on a different<br />

Audio Instrument (Macella, Maida, <strong>and</strong><br />

Marion).<br />

Each bus assigned<br />

to a separate, single<br />

plug-in<br />

<br />

In one <strong>of</strong> <strong>Vision</strong>’s consoles, assign<br />

three console channels to the three<br />

backup singers.<br />

Use the volume faders in these three<br />

channels to mix the singers so that their<br />

voices blend together nicely.<br />

Relative volumes set<br />

<br />

Adjust the Send levels for each Audio<br />

Instrument.<br />

If you want a channel’s signal to be sent<br />

to the busses without being processed<br />

by its EQ, or its own plug-ins, set the<br />

Pre/Post button Pre.<br />

Figure 10.2: Setting an Audio Send to Pre<br />

Since we’ll be using a stereo bus, you<br />

can also use the pan faders for each<br />

channel to adjust the stereo field <strong>of</strong> the<br />

mix.<br />

Once you are satisfied with the balance <strong>of</strong><br />

the three voices, you’ll want that “mix” to<br />

work as a single unit within the context <strong>of</strong><br />

the entire song. To do so:<br />

74 Opcode Systems, Inc.

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