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Military life in Italy : sketches - Societa italiana di storia militare

Military life in Italy : sketches - Societa italiana di storia militare

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A NOCTURNAL MARCH. 139<br />

bend<strong>in</strong>g under him his<br />

; head, raised by force, falls aga<strong>in</strong> heavily<br />

on his chest, and his arms hang <strong>in</strong>ert and powerless. His m<strong>in</strong>d,<br />

little by little, wanders ideas ; grow confused, and melt curiously<br />

<strong>in</strong>to one another. To his eyes veiled by sleep, the sol<strong>di</strong>ers who<br />

are walk<strong>in</strong>g before and beside him stagger confusedly along ;<br />

and the trees and houses on either side of the way, (whose dark<br />

outl<strong>in</strong>es are scarcely <strong>di</strong>scernible) present strange, shapeless,<br />

wonderful aspects to him. .<br />

Sometimes he still follows with his<br />

eyes the walls of a house when they have already been left beh<strong>in</strong>d,<br />

or he seems to see a house or clump of<br />

trees where there<br />

are none. At another moment, there suddenly appears before<br />

him, right <strong>in</strong> the middle of the road, <strong>di</strong>rectly <strong>in</strong> his path, a<br />

great obstacle, a large black th<strong>in</strong>g, which he cannot make out,<br />

but he sees it ;<br />

there it is, right there, and he is just<br />

about to<br />

hit it with his head ;<br />

he stops, stretches out his arm, shakes it<br />

noth<strong>in</strong>g there was noth<strong>in</strong>g ;<br />

so on he goes. Thirty, fifty, a<br />

hundred steps, then he beg<strong>in</strong>s to dose aga<strong>in</strong>. This time he<br />

dreams. He seems to be walk<strong>in</strong>g alone, <strong>in</strong> some unknown <strong>di</strong>rection,<br />

or to be <strong>in</strong> another place, far from there, perhaps at home,<br />

among other people, <strong>in</strong> the daytime.<br />

. . .<br />

Suddenly, the<br />

sound of the foot-falls of those around him strikes his ear ;<br />

he<br />

becomes aware of the cl<strong>in</strong>k<strong>in</strong>g of the canteens ;<br />

wakes, glances<br />

around, comes to himself, yawns, falls <strong>in</strong>to step, and, shortly<br />

afterward, the whole th<strong>in</strong>g beg<strong>in</strong>s aga<strong>in</strong>. With his head on<br />

his chest, one hand <strong>in</strong> his pocket, the other on the handle of<br />

his sword, he goes on, lean<strong>in</strong>g on it, <strong>in</strong> unequal paces and<br />

spr<strong>in</strong>gs, totter<strong>in</strong>g, w<strong>in</strong>d<strong>in</strong>g along, three steps here, four there,<br />

five, six, a stumble <strong>in</strong>to the knapsack<br />

of a sol<strong>di</strong>er. He<br />

starts, wakes, looks around with star<strong>in</strong>g eyes, comes to himself<br />

aga<strong>in</strong>, is ashamed of himself, shakes his head as if out of pity

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