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Opinions on Current Productions<br />

Feature reviews<br />

Symbol O denotes color photography<br />

noScopc;<br />

^' VlstoVJsion; S Supcrscopc; For story synopsis on each picture<br />

Star of India<br />

7) ou nlUnited Artists (5623)<br />

Ratio:<br />

Coslume Drama<br />

Rel. June "50<br />

A routine costume drama, similar to several Cornel Wilde<br />

made for Columbia and RKO several years back, this will<br />

satisfy action-minded fans and make a fair supporting dualler<br />

generally. Wilde and his wife. Jean Wallace, (they re- ;.<br />

:<br />

cently stt»rred together in "Storm Fear" for UA) supply the i.<br />

J<br />

marquee value, the rest of the cast is British. Produced in<br />

France by Raymond Stress, the picture has lavish castle settings<br />

and costumes, which look exquisite in Technicolor,<br />

but the few exteriors could have been filmed in the U. S.<br />

As directed by Arthur Lubln, the plot is far-fetched and full<br />

of intrigue and swordplay revolving around the Star of India,<br />

a fabulous diamond which was stolen from a Dutch collection<br />

by a scheming French Vicomte. However, there is<br />

surprisingly httle suspense. Wilde plays a dashing French<br />

nobleman effectively enough, but the flaxon-haired Miss Wallace,<br />

playing a beautiful Dutch widow, merely acts and talks<br />

like Marie Wilson in nth Century costumes. Herbert Lorn<br />

and Basil Sydney (as Louis XIV of France) wear their<br />

wigs and rich robes with the proper flair and Yvonne Sanson<br />

makes a beautiful Madame de Montespan, the King's<br />

mistress.<br />

Cornel Wilde, Jean Wallace, Herbert Lom, Basil Sydney,<br />

Yvonne Sanson, Walter Rilla. John Slater.<br />

Zanzabuku<br />

Republic (5508) 64 Minutes Rel. May '56<br />

This has authentic, always interesting and at times<br />

exciting Trucolor scenes of an expedition among African<br />

wildlife and natives. It rates high as a supporting feature<br />

because of the great variety of wildlife shown, some of which<br />

will appeal to any type of patron, and its reasonable 64-<br />

minute footage. Besides more or less conventional shots of<br />

-^ birds, beasts and huge snakes, there are scenes of really<br />

,.,,'^ dangerous encounters to which added interest is lent by the<br />

participation of a teenager. The most striking are repeated<br />

attacks on a jeep by a rhinoceros; the jeep is finally overturned<br />

and its occupants forced to flee for their lives.<br />

Another exciting moment is when a young elephant ts<br />

captured alive despite the charges of the herd, and still<br />

another the spearing of a vicious leopard. There are also<br />

appealing views of animals and monkeys that had been<br />

tamed by Carr Hartley, famous game collector, to be sold<br />

to zoos. Their evident contentment in captivity removes any<br />

life<br />

regret at seeing wildlife captured. Scenes of tribal<br />

are colorful but nothing really new is offered. The title,<br />

translated, means dangerous safari. The film lives up to<br />

the title. Produced by Lewis Cotlow. explorer and author.<br />

Photographed by Fred Ford, Fred Ford jr. and John<br />

Coquillon.<br />

"<br />

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