Boxoffice-May.12.156
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Opinions on Current Productions<br />
Feature reviews<br />
Symbol O denotes color photography<br />
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^' VlstoVJsion; S Supcrscopc; For story synopsis on each picture<br />
Star of India<br />
7) ou nlUnited Artists (5623)<br />
Ratio:<br />
Coslume Drama<br />
Rel. June "50<br />
A routine costume drama, similar to several Cornel Wilde<br />
made for Columbia and RKO several years back, this will<br />
satisfy action-minded fans and make a fair supporting dualler<br />
generally. Wilde and his wife. Jean Wallace, (they re- ;.<br />
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cently stt»rred together in "Storm Fear" for UA) supply the i.<br />
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marquee value, the rest of the cast is British. Produced in<br />
France by Raymond Stress, the picture has lavish castle settings<br />
and costumes, which look exquisite in Technicolor,<br />
but the few exteriors could have been filmed in the U. S.<br />
As directed by Arthur Lubln, the plot is far-fetched and full<br />
of intrigue and swordplay revolving around the Star of India,<br />
a fabulous diamond which was stolen from a Dutch collection<br />
by a scheming French Vicomte. However, there is<br />
surprisingly httle suspense. Wilde plays a dashing French<br />
nobleman effectively enough, but the flaxon-haired Miss Wallace,<br />
playing a beautiful Dutch widow, merely acts and talks<br />
like Marie Wilson in nth Century costumes. Herbert Lorn<br />
and Basil Sydney (as Louis XIV of France) wear their<br />
wigs and rich robes with the proper flair and Yvonne Sanson<br />
makes a beautiful Madame de Montespan, the King's<br />
mistress.<br />
Cornel Wilde, Jean Wallace, Herbert Lom, Basil Sydney,<br />
Yvonne Sanson, Walter Rilla. John Slater.<br />
Zanzabuku<br />
Republic (5508) 64 Minutes Rel. May '56<br />
This has authentic, always interesting and at times<br />
exciting Trucolor scenes of an expedition among African<br />
wildlife and natives. It rates high as a supporting feature<br />
because of the great variety of wildlife shown, some of which<br />
will appeal to any type of patron, and its reasonable 64-<br />
minute footage. Besides more or less conventional shots of<br />
-^ birds, beasts and huge snakes, there are scenes of really<br />
,.,,'^ dangerous encounters to which added interest is lent by the<br />
participation of a teenager. The most striking are repeated<br />
attacks on a jeep by a rhinoceros; the jeep is finally overturned<br />
and its occupants forced to flee for their lives.<br />
Another exciting moment is when a young elephant ts<br />
captured alive despite the charges of the herd, and still<br />
another the spearing of a vicious leopard. There are also<br />
appealing views of animals and monkeys that had been<br />
tamed by Carr Hartley, famous game collector, to be sold<br />
to zoos. Their evident contentment in captivity removes any<br />
life<br />
regret at seeing wildlife captured. Scenes of tribal<br />
are colorful but nothing really new is offered. The title,<br />
translated, means dangerous safari. The film lives up to<br />
the title. Produced by Lewis Cotlow. explorer and author.<br />
Photographed by Fred Ford, Fred Ford jr. and John<br />
Coquillon.<br />
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