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'Anaslasia' Hits 150<br />

Third Boston Week<br />

BOSTON — "Ana-stasia," completing its<br />

third stanza, led the field, going for a fourth<br />

week at the Keith Memorial. "Albert<br />

Schweitzer" held well in its second week at<br />

the Exeter Street. "Top Secret Affair" was<br />

the strongest of the new product.<br />

(Average Is 100)<br />

Astor—The Ten Commandments (Pora), 11th<br />

wk 120<br />

Beacon Hill Secrets of Life (BV), 3rd wk 80<br />

Boston Seven Wonders of the World (SW), 23rd<br />

wk 100<br />

Exeter Street— Albert Schweitzer (Hill). 2nd wk,..120<br />

Kenmore Lust for Life (MGM), 11th wk 80<br />

Memoriol Anostosio (20th-Fox), 3rd wk 150<br />

Metropolitan Top Secret Affoir (20th-Fox);<br />

Accused of Murder (Rep) 100<br />

Pilgrim Don't Knock the Rock (Col); Rumble<br />

On the Docks (Col), 2nd wk 135<br />

Saxon Oklahoma! (Magna), 21st wk 90<br />

State and Orpheum The King ond Four Queens<br />

(UA); Rebel in Town (UA), 2nd wk 80<br />

"Rainmaker," "Terrace' Combo<br />

Leads Hartford With 140<br />

HARTFORD—The combination of "The<br />

Rainmaker" and "The High Terrace" opened<br />

here with the best gross of the week, a resounding<br />

140. U-I's "The Great Man" was<br />

the only downtown holdover.<br />

Allyn The Rainmoker (Poro); The High Terrace<br />

(AA) 140<br />

Art—The Bod Seed (WB); Friendly Persuosion<br />

(AA) 70<br />

E M. Loew Nightfall (Col); As Wicked as They<br />

Come (Col)<br />

Palace Angels of Dorkness (Excelsior); Man of<br />

90<br />

Africa (Dominant) 80<br />

Persons The Great Man (U-l); The Light Touch<br />

(U-l), 2nd wk 120<br />

Poll Oklahomal (20th-Fox) 115<br />

Strond The Wrong Man (WB); Noked Gun (ARC) 1 10<br />

All New Haven Pictures<br />

Score Above Average<br />

NEW HAVEN—Business boomed at the<br />

downtowners, with all key houses reporting<br />

above average receipts. Even "The Teahouse<br />

of the August Moon," in its third and final<br />

week, shared in the week's prosperity. The<br />

leader was "Oklahoma!" which increased<br />

receipts at the 3,000 seat Loew's Poll by 70<br />

per cent.<br />

College The Teahouse of the August Moon<br />

(MGM), 3rd wk 1 05<br />

Paramount The Rainmoker (Poro), Yoqui Drums<br />

(AA) 130<br />

Poll Oklahoma! (20th-Fox) 1 70<br />

Roger Sherman The Wrong Man (WB); The<br />

Boss (UA) 120<br />

Four Snowstorms in Week<br />

Cut Providence Grosses<br />

PROVIDENCE—Four snow and ice storms<br />

during the week cut deeply into attendance.<br />

Despite the storms, "Naked Paradise" grossed<br />

125, to lead all local first runs. Following<br />

closely was "A Kid for Two Farthings" at the<br />

Avon Cinema, with 115. Holdovers did not fare<br />

too well. "The Teahouse of the August Moon,"<br />

playing for a third week at Loew's State,<br />

reported just average business, while "Anastasia,"<br />

being held a third week at the Majestic,<br />

dropped to 70.<br />

Albee Naked Paradise (AlP) 125<br />

Avon A Kid for Two Farthings (Lopert) 115<br />

Loew's The Teahouse of the August Moon<br />

(MGM), 3rd wk 100<br />

Majestic Anastasia (20th-Fox), 3rd wk 70<br />

Strand Ride the High Iron (Col) 80<br />

Tab Hunter in Hartford<br />

HARTFORD—Actor Tab Hunter was<br />

interviewed by local drama desks February<br />

8 as part of regional promotion for "The<br />

Spirit of St. Louis" arranged by Art Moger<br />

of the Warner Bros, exploitation department.<br />

Hunter has been on a key city tour.<br />

INDUSTRY PROFILE<br />

Charles Gaudino Says Showmanshi<br />

Is<br />

Theatremans Greatest Asset<br />

By ALLEN M. WIDEM<br />

SPRINGFIELD — Charles Gaudino, enterprising<br />

manager of Loew's Poll Theatre<br />

here, nas had as<br />

diversified training<br />

as any showman in<br />

America.<br />

The Connecticut<br />

native first went to<br />

work for L o e w' s<br />

back in 1938 as a<br />

porter at the College<br />

Theatre, New<br />

Haven. Ben Cohen,<br />

who was to later<br />

become a U-I executive,<br />

was man- Charles Gaudino<br />

ager at the College.<br />

Gaudino served in turn as fireman,<br />

usher, chief of staff, and finally student<br />

assistant manager. The following year<br />

found him at the sister Poll Theatre in<br />

New Haven, working under Manager Robert<br />

Russell and assistant Nat Rubin.<br />

He became assistant manager of Loew's<br />

Bijou, also in New Haven, in 1940. The<br />

Bijou manager was William Elder and<br />

staffers included Mike Piccirillo and<br />

Frank Manente. Piccirillo progressed to<br />

Loew's Lexington, New York, and then to<br />

Hartford theatres: Manente became a<br />

manager in Loew's midwest division.<br />

Gaudino served with the U. S. Marine<br />

Corps for four years in World War II,<br />

seeing action in three major invasions<br />

Guadalcanal, Cape Gloucester and Peleliu<br />

Island.<br />

"The last<br />

named was the toughest," he<br />

recalled. "It seemed that the Japs threw<br />

everything, includmg the whole Sixth<br />

avenue elevated structure, at us in that<br />

one battle."<br />

At Peleliu, as Gaudino's unit hit the<br />

beach, Jap mortar fire hit four buddies,<br />

leaving Gaudino with only shrapnel<br />

wounds. As mementos of his South Pacific<br />

experience, he owns a P^residential citation,<br />

five battle-participation stars, a<br />

Presidential unit citation and the Purple<br />

Heart. Gaudino also received a meritorious<br />

promotion in action.<br />

"I recuperated nine months down at<br />

Proposed Film Censorship<br />

Assailed in Providence<br />

PROVIDENCE—The Rhode Island<br />

branch<br />

of the American Civil Liberties Union has<br />

registered strong opposition to the proposed<br />

local motion picture and theatrical licensing<br />

ordinance. Milton Stanzler, Providence correspondent<br />

for the union, said in a statement<br />

forwarded to Mayor Walter H. Reynolds that<br />

the ordinance is unconstitutional under terms<br />

of a "prior restraint" decision of the U. S.<br />

Supreme Court.<br />

"The American Civil Liberties Union<br />

n<br />

strongly opposes the ordinance recently introduced<br />

in the city council," he said. "An<br />

examination of the ordinance reveals that<br />

it violates the guarantees of the First Amend-<br />

Melbourne, Australia, and then spent another<br />

month over in New Zealand just<br />

eating. But the biggest kick was a parade<br />

in which our First Marine Division was<br />

given the distinction of serving as honor<br />

guard for General Blamey, chief of Australian<br />

Aj-my units, at Melbourne."<br />

Gaudino returned to the U.S. in 1945,<br />

going to work again for Loew's Theatres,<br />

both in New Haven and Bridgeport.<br />

He left the Loew ciicuit in 1946 to become<br />

a manager for the Strand Amusement<br />

Co., independent Bridgeport ciixuit.<br />

The showmanship flair of Loew's continued<br />

to occupy a fond spot in his memory,<br />

however, and in 1951 he returned to<br />

a Loew theatre, the Poll in Bridgeport, as<br />

assistant to manager Matt L. Saunders.<br />

In 1952, he was shifted to Loew's Pol ,<br />

New Haven, now managed by Morris<br />

Rosenthal, and in 1954 he made the jump<br />

to present status. He had functioned at<br />

Loew's Poll, Springfield, in the past as a<br />

relief manager.<br />

For Saunders and Rosenthal, Gaudino<br />

has only the highest praise.<br />

"They are of the experienced school of<br />

management," Gaudino said, "and they<br />

imparted to me many important aspects<br />

of handling a theatre that would not be<br />

brought to attention of a newcomer to<br />

the business. I have a lot of respect for<br />

the veterans in our industry and believe<br />

they have contributed vitally to the development<br />

of what we know today is required<br />

showmanship to sell our product<br />

and services."<br />

While managing Loew's Poll and participating<br />

in numerous exploitation campaigns,<br />

Gaudino has not overlooked cooperation<br />

with the Springfield Chamber<br />

of Commerce. He is a member of that organization<br />

and serves on the convention<br />

and visitors bureaus.<br />

Modest, unassuming, Gaudino expresses<br />

great faith in the future of the motion<br />

picture theatre. "This is still a great industry,"<br />

he asserts, "and it's up to theatremen<br />

in the field, in particular, to remind<br />

regular customers, as well as potential<br />

theatregoers, that this is true."<br />

ment and is an attempt to give power to a<br />

few men, namely the bureau of licenses, to<br />

determine the type of motion pictiu-es and<br />

plays the people shall view.<br />

Stanzler, an attorney, asked the city<br />

council<br />

to arrange a public hearing before acting<br />

on the proposed ordinance, which has been<br />

referred for committee study.<br />

The proposal would permit denial of 11-<br />

cen.se to any show deemed "ob.scene," "indecent,"<br />

or "immoral," terms a Supreme<br />

Court opinion declared were too general for<br />

establishing clear, precise standards.<br />

Screen Tunny Face'<br />

NEW HAVEN—Paramount's "Funny Face"<br />

was shown to area exhibitors at a special<br />

early afternoon pre 'lew in the Lincoln.<br />

BOXOFFICE February 16, 1957 NE-1

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