Boxoffice-April.07.1958
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SOUND TROUBLE EASILY CORRECTED<br />
Continued from preceding<br />
page<br />
dirty exciter lamp will also cause a loss<br />
of volume and poor quality sound reproduction.<br />
Clean sound lens with a soft lens<br />
tissue.<br />
Amplifiers should always be turned on<br />
at least 15 to 30 minutes before show time.<br />
If meters are part of the amplifier equipment,<br />
one can check tubes and get a good<br />
idea whether the circuits and tubes are<br />
working normally and ready for operation.<br />
Make sure the tubes fit snugly in their<br />
sockets. Keep a spare set of tubes on hand.<br />
Some sound systems are not pro\ided with<br />
adequate facilities. If the equipment does<br />
not include meters for checking individual<br />
plate currents of tubes, the projectionist<br />
will do well to have a reliable radio serviceman<br />
come in and check the tubes at<br />
least every two weeks. This precaution<br />
may prevent a number of breakdowns, and<br />
the cost of such service is negligible.<br />
HAVE VOLTAGES CHECKED<br />
The serviceman can also easily check the<br />
voltages at the tube elements, if you have<br />
a fairly late amplifier which makes it<br />
simple to get at the sockets. The correct<br />
voltages must he maintained for maximum<br />
performance of your sound system. If you<br />
do not have these voltages, your radio<br />
technician can check with his tube manual,<br />
which will give approximate "right" values<br />
for your sound system. Voltages vary for<br />
different makes of sound systems, but only<br />
slightly. You can depend on the tube manual<br />
for recommended voltages. Wc do suggest,<br />
however, that you obtain tlie correct<br />
voltages for the various tube elements, and<br />
power supply, from your local supply dealer,<br />
engineer or manufacturer. Likewi.se, schematics.<br />
In some equipment, the schematics<br />
and component values are pasted inside of<br />
the lid of the unit or amplifier. This is as<br />
it should be, in my opinion.<br />
A HAPPY MEDIUM<br />
Good monitoring of sound is very important<br />
to the enjoyment of the patron.<br />
There is a tendency to feed excess volume<br />
in the auditorium, regardless of whether<br />
the house is only partly filled or full. Too<br />
much volume is very irritating to those<br />
with average hearing, but there should be<br />
sufficient volume for those who cannot hear<br />
so well. One should try for a happy medium<br />
in volume and then mark places on<br />
the fader for various settings for a few<br />
people to a full house; then judge the<br />
sound via the monitor. I recommend a<br />
good projection room speaker if you want<br />
better somid and correct volume in the<br />
auditorium.<br />
Finally, we are presenting, with this<br />
article, some data on how easy it is to<br />
build your own test equipment, even though<br />
you do not have an extensive background<br />
of electronics.<br />
Light Caravan on 60-Day Tour<br />
Of Nation's Film Centers<br />
To Demonstrate Lamp<br />
Featuring the blown arc lamp based on<br />
a new principle of producing .screen lighting<br />
up to 65,000 lumens, the Strong Caravan<br />
of Light is on a 60-day tour of the<br />
nation's film center cities to demonstrate<br />
'The World's Most Powerful Light Source."<br />
The tour opened March 17 at the Bel- Air<br />
Drive-In, Detroit, with area exhibitors,<br />
projectionists, dealers and reporters present<br />
to watch contrasts between screen<br />
lighting provided by the touring equipment<br />
and the permanently installed equipment<br />
at the Bel-Air, the same film prints being<br />
used by both projectors for fairness of<br />
contrast in changeovers.<br />
The Strong Light caravan consists of a<br />
large truck equipped as a mobile projection<br />
booth, with motion picture projector, the<br />
new arc lamp, power conversion trans-<br />
A MOST<br />
%A^.<br />
Strong's mobile projection booth which is touring<br />
the country, giving demonstrations in large drivein<br />
theatres of the new Jetorc lamp. From left, are<br />
Ray Shuff, traveling lATSE projectionist; Harold<br />
Brown, soles manager, and Arthur Hatch, president<br />
of Strong Electric Corp.<br />
Since the only light which con reach your screen<br />
must be reflected to it by the lamphouse mirror, the<br />
brilliancy of your projected pictures is dependent<br />
directly upon the condition of that reflector.<br />
All reflectors gradually deteriorate. A drop of<br />
only 10% in reflective efficiency results in a 10%<br />
decrease in screen brilliancy and represents a loss<br />
amounting to 10% of the cost of your current and carbons. Hence, the cost of regular<br />
mirror replacement is truly insignificant.<br />
Silvered gloss mirrors reflect maximum light with o minimum ei h*ot at the<br />
aperture.<br />
Genuine National Precisian Gloss Reflectors ore available for all types and<br />
makes of arc lamps.<br />
n DISTRIBUTED BY NATIONAL THEATRE SUPPLY COMPANY<br />
A SUBSIDIARY OF<br />
formers, rectifiers and water cooling devices.<br />
Ray Shuff, lATSE projectionist,<br />
ojjerates the equipment at all demonstrations,<br />
which are held, so far as possible<br />
in each area, at the drive-in having the<br />
largest screen.<br />
Since the blown arc lamp delivers up<br />
to 65,000 lumens, it obtains a brUliant picture<br />
with evenly distributed illumination,<br />
depth, detail and sparkle on even the<br />
largest outdoor screens. Drive-in exhibitors<br />
witnessing the demonstrations see In the<br />
new type lamp a means of starting their<br />
summer shows as much as a half-hour<br />
earlier, overcoming one of the handicaps<br />
of daylight savings time in many regions<br />
where the first show has not been possible<br />
until too late for volume business.<br />
The blown arc lamp is based on a newly<br />
developed technique in carbon biu-ning<br />
that forms a three-dimensional cylindrically<br />
shaped arc source, permitting the use<br />
of an optical system of much higher efficiency,<br />
Including the largest main reflector<br />
ever placed in regular production.<br />
50<br />
The MODERN THEATRE SECTION<br />
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