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My Way_ Speeches and Poems - Charles Bernstein

My Way_ Speeches and Poems - Charles Bernstein

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POE TIC S OFT H E AM E RIC A S 123<br />

Yuh wi haffe kill de Lancashire<br />

De Yorkshire, de Cockney<br />

De broad Scotch an de Irish brogue<br />

Before yuh start to kill me!<br />

Yuh wi haffe get de Oxford book<br />

0' English verse, an tear<br />

Out Chaucer, Burns, Lady Grizelle<br />

An plenty 0' Shakespeare!<br />

Wen yuh done kill "wit" an "humour"<br />

Wen yuh kill "Variety"<br />

Yuh wi haffe fine a way fe kill<br />

Originality!<br />

An mine how yuh dah-read dem English<br />

Book deh pon yuh shelf<br />

For ef yuh drop a "h" yuh mighta<br />

Haffe kill yuhself.8<br />

Bennett's wit makes all the more disturbing her point that suppression of<br />

"variety" in language produces the cultural suppression of a people: "Bans<br />

0' Killing". A people invents <strong>and</strong> sustains itself through its shared language<br />

so it is not surprising that colonial governments have often prohibited<br />

the use of native languages, dialects, patois, creoles, <strong>and</strong> pidgins<br />

in an effort to maintain social control. Bennett, all of whose poetry is<br />

written in jamaican idiom, points to, <strong>and</strong> defuses, the stigma attached<br />

to dialect use; but she also makes patent the deep social scar left by the<br />

denigration of a particular language practice as inferior. In this sense,<br />

dialect becomes the verbal equivalent of skin color: an "objective" mark<br />

of alterity.<br />

The explicitly political use of dialect in contemporary poetry is apparent<br />

in the work of jamaican "dub" poet Michael Smith, even as he toys<br />

with old English rhymes: "Say / Natty-Natty, / no bodder / das weh / yuh<br />

culture!,,9 Or consider not only Linton Kwesi johnson's deforming<br />

spelling lng/an but also these raucous lyrics from "Fite Oem Back" in lng/an<br />

Is a Bitch:<br />

8. Louise Bennett, Jamaica Labrish (Kingston, Jamaica: Sangster's Book Stores, 1966), pp.<br />

209-10. Bennett, a popular performer in Jamaica, was born in 1919. Bennett's poems might usefully<br />

be compared with the Hawaiian pidgin of Lois-Ann Yamanaka's Saturday Night at the Pahala<br />

Theater (Honolulu: Bamboo Ridge Press, 1993).<br />

9. Michael Smith, It a Come (San Francisco: City Lights, 1989), p. 50. Smith, who was born<br />

in Kingston in 1954, was killed in 1983.

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