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My Way_ Speeches and Poems - Charles Bernstein

My Way_ Speeches and Poems - Charles Bernstein

My Way_ Speeches and Poems - Charles Bernstein

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REVENGE OF THE POET-CRITIC 5<br />

often it is a breaking down of the chain of sense that lets me find my way.<br />

A way away from the scanning over <strong>and</strong> over what went wrong-the failure<br />

of community that may, in flits <strong>and</strong> faults, give way to conversation. I<br />

start with the senselessness of the world <strong>and</strong> try to make some sense with<br />

it, as if words were visceral <strong>and</strong> thoughts could be tolls. It's the loss, I want<br />

to say, I don't know of what-but not to find either (neither voice nor truth:<br />

voicings, trusts).<br />

Don't Be So Sure<br />

(Don't Be Saussure)<br />

<strong>My</strong> cup is my cap<br />

& my cap is my cup<br />

When the coffee is hot<br />

It ruins my hat<br />

We clap <strong>and</strong> we slap<br />

Have sup with our pap<br />

But won't someone please<br />

Get me a drink<br />

What is a poet-critic, or critic-poet, or professor-poet-critic?; which comes<br />

first <strong>and</strong> how can you tell?; do the administrative <strong>and</strong> adjudicative roles of<br />

a professor mark the sell-out of the poet?; does critical thinking mar creativity,<br />

as so many of the articles in the Associated Writing Program<br />

newsletter insist? Can poets <strong>and</strong> scholars share responsibilities for teaching<br />

literature <strong>and</strong> cultural studies or must poets continue to be relegated<br />

to, or is it protected by, creative writing workshops, where, alone in the<br />

postmodern university, the expressive self survives?<br />

Of course I must agree, I confide to the prize-winning poet, all this stuff<br />

about poetry groups <strong>and</strong> movements is a publicity stunt for poets without<br />

the imaginative capacity to assert their unique individuality in forms <strong>and</strong><br />

voices utterly indistinguishable from the other prize-winning poets who<br />

vote these awards to each other on panels <strong>and</strong> juries that systematically<br />

rule out any trace of individuality expressed by particularity of tone, diction,<br />

syntax, or form. Indeed, you force me to concede the point, I tell the<br />

politically committed academic, this poetry excludes most of the people<br />

in the world (who haven't yet learned English!); it's turned its back on the<br />

ordinary reader by making no effort to reach out to him or her. And, yes,<br />

indeed, Professor, I also must admit, even though it seems to go against<br />

your last point, that all this poetics stuff is just an attempt to attract readers,<br />

making the work just one more commodity being peddled. Of course<br />

you're right, I tell the few friends I have left, now that I am poet-professor

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