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My Way_ Speeches and Poems - Charles Bernstein

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224 R E Z N I K 0 FF • S N EAR N E S S<br />

when both Oppen <strong>and</strong> Carl Rakosi had stopped writing, in part because<br />

of the conflict they felt between their left political commitments <strong>and</strong> their<br />

poetic commitments. Perhaps Testimony can be seen as a labor-intensive<br />

counterpart to the lacuna in these poets' work.<br />

Reznikoff's work is preoccupied with those left out of society, people<br />

whose lives were destroyed by things (machines, circumstances, an economy)<br />

out of their control: again, the neglected, the overlooked. His one<br />

reference to Marx is placed strikingly as the last of four poems in a series<br />

about prophecy called "Jerusalem the Golden", which is itself the final<br />

series of his book of the same title, published, Significantly, in 1934 (#79,<br />

1: 127-29). ''Jerusalem the Golden" begins with "The Lion of Judah"-a<br />

poem in which the prophet Nathan denies the right to permanent foundation<br />

even, or already, to the Jews ("you shall not build the Lord's house /<br />

because your h<strong>and</strong>s have shed much blood"). This poem, considered in<br />

the light of the first poem of Jerusalem the Golden ("The Hebrew of your<br />

poets, Zion / is like oil upon a bum / ... I have married ... the speech of<br />

strangers") suggests the intractability of the Jewish diaspora (understood,<br />

however, not as exile but a series of displacements/replacements). In the<br />

second poem, "The Shield of David", the prophets locate "all the lights of<br />

heaven" in "the darkness of the grave", abjuring the emptiness of ritual as<br />

shells for "unseeing eyes", eyes that look but do not see: looked <strong>and</strong> saw the<br />

Light in the Darkness:<br />

worship Me in righteousness;<br />

worship me in kindness to the poor <strong>and</strong> weak,<br />

in justice to the orphan, the widow, the stranger among you,<br />

<strong>and</strong> in justice to him who takes hire in your h<strong>and</strong><br />

The third poem, a brief evocation of pantheism, is entitled "Spinoza", after<br />

the prototypical Jewish "excommunicate" or "non-Jewish Jew", in Isaac<br />

Deutscher's phrase, whose pantheism <strong>and</strong> determinism significantly prefigure<br />

historical materialism (both Marx <strong>and</strong> Spinoza are crucial sources for<br />

Zukofsky's "A"-9). In the last of the series, "Karl Marx", Reznikoff writes:<br />

We shall arise while the stars are still shining ...<br />

to begin the work we delight in,<br />

<strong>and</strong> no one shall tell us, Go ...<br />

to the shop or office you work in<br />

to waste your life for a living ...<br />

there shall be bread <strong>and</strong> no one hunger for bread ...<br />

we shall call nothing mine-nothing for ourselves only ...<br />

50. Darkness <strong>and</strong> light; or dusk, when dark <strong>and</strong> light can no longer be separated-

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