- Page 4 and 5: Speeches and Poems [~aTles hmstein
- Page 8: I come to guard the city in that so
- Page 11 and 12: X CONTENTS U~ The Value of Sulfur m
- Page 13 and 14: xii PRE FA C E nonetheless remains
- Page 15 and 16: 2 A DEFENCE OF POETRY methods of co
- Page 17 and 18: 4 REVENGE OF THE POET-CRITIC quarte
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- Page 31 and 32: l~elonious mon~ and t~e ~eTfoTmance
- Page 33 and 34: 20 THE LON IOU S M 0 N K Strong med
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- Page 39 and 40: 26 A N I NT E R V lEW WIT H MAN U E
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- Page 45 and 46: 32 A N IN T E RV lEW WIT H MAN U E
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44 WHAT'S ART GOT TO DO WITH IT? ti
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46 WHAT'S ART GOT TO DO WITH IT? st
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48 W HAT'S ART GOT T 0 DOW I T HIT?
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50 W HAT'S ART GOT T 0 DOW I T HIT?
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~ lest of ~oetr~ What do you mean b
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54 ATE S T 0 F POE TRY Who or what
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l~e ~oo~ as ~Tc~itectuTe Architectu
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~ear fir. fanellL I saw your pictur
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60 DEAR MR. FANELLI dirt & frequent
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62 DEAR MR. FANELLI me into a new f
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64 A N I N T E R V lEW WIT H HAN N
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66 AN INTERVIEW WITH HANNAH MOCKEl-
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68 A N I NT E R V lEW WIT H HAN N A
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70 A N I N T E R V lEW WIT H HAN N
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72 AN INTERVIEW WITH HANNAH MOCKEL-
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74 I DON'T TAKE VOICE MAIL USA Toda
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76 I DON'T TAKE VOICE MAIL uals can
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78 I DON'T T A K E V 0 ICE M A I L
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80 I DON'T T A K E V 0 ICE M A I L
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82 WE A K LI N K S ican poetry-a tr
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84 c L A IRE - I N - THE - B U I L
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~gain figneT There is no writing I
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88 A G A I N E I G N E R a day"). S
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frame loc~ Lost Wages, Nev., Nov. 1
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92 F RAM E L 0 C K ences). Younger
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94 F RAM E L 0 C K each other's alo
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96 FRAME LOCK iean Literature, edit
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98 F RAM E Lac K analysis? And anyw
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"~assed ~~ [Kamination" Paragraphs
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102 "PA 5 5 E D BYE X A MIN AT ION"
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l~e ~alue of Sulfur For the past se
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106 THE VALUE OF SULFUR part of an
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Now that is a chair I wouldn't want
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Introjectiue ~erse )introversive )i
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112 INTROJECTIVE VERSE ters. There
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114 POETICS OF THE AMERICAS essenti
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116 POETICS OF THE AMERICAS surpris
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118 POETICS OF THE AMERICAS set adr
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120 POE TIC 5 0 F THE A MER I CAS m
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122 POETICS OF THE AMERICAS of "Eng
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124 POE T [ C S 0 F THE AM E R [ CA
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126 POE TIC S 0 F THE A MER I CAS t
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128 POE TIC S 0 F THE AM E RIC A S
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130 POE TIC S 0 F THE AM E RIC A S
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132 POE TIC 5 0 F THE AM E RIC A 5
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134 POE TIC 5 0 F THE AM E RIC A 5
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t 36 POE TIC S 0 F THE AM E RIC A S
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~nzip ~lee~ It must be a thoroughfa
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lac~r~mose (ncaustic I ~brasiue lea
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142 s TEl N 's IDE N TIT Y In Bound
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144 STEIN'S IDENTITY In our current
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146 PRO V I 5 ION A LIN 5 TIT UTI 0
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148 PROVI S I aNAL I NSTITUTI ONS t
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150 PRO V I S ION A LIN S TIT UTI 0
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152 PROVf S f 0 N A L f NST fTUTf 0
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154 PROVISIONAL INSTITUTIONS ing th
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156 POUND AND THE POETRY OF TODAY s
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158 po UNO AND THE POE TRY 0 F TOO
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160 POUND AND THE POETRY OF TODAY h
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162 P 0 U N DAN D THE POE TRY 0 F T
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164 POUND AND THE POETRY OF TODAY o
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Inappropriate 1 ouc~in~ The fabric
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~obin on ~is ~lIIn There was a stra
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170 ROBIN ON HIS OWN ment into poet
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172 ROBIN ON HIS OWN tolerance. Mor
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174 ROBIN ON HIS OWN ture and indus
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176 WATER IMAGES OF THE NEW YORKER
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ne ~esponse as ~UC~ Words in Visibi
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180 THE RES P 0 N SEA S S U C H has
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t 82 THE RES P 0 N SEA S sue H betw
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184 THE RES P 0 N SEA S S U C H ial
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from an ~ngoing Interuiellllllit~ l
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188 FROM AN ONGOING INTERVIEW WITH
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190 FROM AN ONGOING INTERVIEW WITH
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~inge ~icture George Oppen's Of Bei
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194 HINGE PICTURE netic, stuttering
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196 HINGE PICTURE Of living, Paris
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198 R E Z N I K 0 F F '5 N EAR N E
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200 R E Z N I K 0 F F 's N EAR N E
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202 R E Z N I K 0 FF 's N EAR N E S
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204 R E Z N I K 0 F F '5 N EAR N E
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206 R E Z N I K 0 F F '5 N EAR N E
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208 R E Z N I K 0 FF 's N EAR N E S
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210 REZNIKOFF'S NEARNESS housed in
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212 REZNIKOFF'S NEARNESS 15. Jewish
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214 REZNIKOFF'S NEARNESS resented i
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216 REZNIKOFF'S NEARNESS Rails in t
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218 REZNIKOFF'S NEARNESS 31. Witnes
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220 R E Z N I K 0 F F '5 N EAR N E
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222 R E Z N I K 0 F F 's N EAR N E
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224 R E Z N I K 0 FF • S N EAR N
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226 R E Z N I K OFF' 5 N EAR N E 5
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228 R E Z N I K 0 F F 's N EAR N E
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230 A N AUT 0 B lOG RAP H I CAL IN
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232 AN AUTOBIOGRAPHICAL INTERVIEW M
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234 AN AUTOBIOGRAPHICAL INTERVIEW C
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236 A N AUT a B lOG RAP HIe A LIN T
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238 A N AUT 0 B lOG RAP Hie A LIN T
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240 A N AUT 0 B lOG RAP H I CAL I N
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242 A N AUT 0 B lOG RAP H I CAL I N
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244 A N AUT 0 B lOG RAP H I CAL I N
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246 A N AUT a B lOG RAP H I CAL I N
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248 A N AUT 0 B lOG RAP H I CAL IN
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250 A N AUT 0 B lOG RAP HIe A LIN T
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252 A N AUT 0 B lOG RAP HIe A LIN T
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254 BEY 0 N D EM A C I AT ION curb
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256 RIDING'S REASON Yet in its test
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258 RID I N G 's REA SON crete Seri
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260 RID I N G 's REA SON the meanin
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262 RID I N G 's REA SON work are t
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264 RID I N G 's REA SON of ... rea
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266 RID I N G 's REA SON the only a
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n~ose ~e ~iddin~ 'What is irony?/I
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~nrepresentatiue ~erse A hundred ye
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272 UNREPRESENTATIVE VERSE also Eli
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274 POETRY AND (MALEI] SEX advanced
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276 POE TRY AND [M ALE? 1 SEX mascu
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278 POE TRY AND [M ALE? 1 SEX order
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280 CLOSE LISTENING tainly, discuss
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282 c LOS EllS TEN I N G make clear
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284 C LOS ELI S TEN I N G scat jazz
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286 c LOS EllS TEN I N G can be und
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288 CLOSE LISTENING the more extrav
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290 C LOS ELlS TEN I N G terns, whe
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292 C LOS EllS TEN I N G "by ear" (
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294 c LOS ELlS TEN I N G of officia
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296 C LOS EllS TEN I N G ing (not j
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298 c LOS EllS TEN I N G consciousn
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300 c LOS EllS TEN I N G the body,
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laps [In memoriam Eric Mottram] Som
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narning-~oefT~ ~rea Publics under C
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306 WAR N I N G - POE TRY ARE A wor
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308 WAR N I N G - POE TRY ARE A mag
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310 WARNING-POETRY AREA the increas
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l~e ~epuhlic of ~ealit~ Suffice it
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314 THE REPUBLIC OF REALITY In the
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316 THE REPUBLIC OF REALITY cares n
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318 NOTES AND ACKNOWLEDGMENTS Langu
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320 NOT E 5 AND A C K NOW LED G MEN