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My Way_ Speeches and Poems - Charles Bernstein

My Way_ Speeches and Poems - Charles Bernstein

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~oetr~ <strong>and</strong> lffiale11 ~eH<br />

I don't know much about sex but I know what I like. Whenever I hear the<br />

word sexuality I reach for my wallet. Your sexual politics is the way you live.<br />

Some time ago, a letter was passed on to me in which my essay on <strong>Charles</strong><br />

Olson, in Contents Dream, was taken to task as "unjust" in its critique of Maximus's<br />

sexual politics. R<strong>and</strong>y Prus writes:<br />

Phallocentrism is different from misogyny. What I mean to say is,<br />

some men write from the "balls", that soft tender spot which the gender<br />

is constantly trying to express <strong>and</strong> yet protect. Hemingway <strong>and</strong><br />

Mailer write from the phallus, that hard expression of masculinity.<br />

Olson, as well as Whitman, as well as myself write from the ''balls''.<br />

H.D. in Notes on Thought <strong>and</strong> Vision locates the "womb" as one center<br />

of writing. The "balls" are the male counterpart of that, as well as to<br />

that experience. Gender expression does not mean gender dominance.<br />

Here we see "maleness" desiring the same privilege in contemporary "progressive"<br />

ideological space as is accorded to "womanhood" or "blackness".<br />

But maleness, like whiteness, like Americanness cannot claim the "status"<br />

of "marginality" because it remains culturally, politically, SOcially, <strong>and</strong> economically<br />

dominant. The "imaginal" values of maleness have not been suppressed/discredited/denied<br />

but rather vaunted: the struggle for men is to<br />

unlearn masculinity, without substituting any positive value to this gender<br />

differential, since positive values for maleness (as distinct from<br />

"humanness"), remain suspect, at least for the present, as socially adaptive<br />

strategies to maintain control <strong>and</strong> power.<br />

One of the most striking features of the current poetry context is the<br />

resourcefulness of many marginalized (though not marginal) groups in<br />

asserting a powerfully positive identity either in individual writings or<br />

through integrally related social formations (readings, publishing, critical<br />

writing). White, heterosexual men cannot occupy this ground, for the relevant<br />

group affiliation is one that cannot, in good conscience, be<br />

m

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