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My Way_ Speeches and Poems - Charles Bernstein

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PRO V I S ION A LIN S TI T U TI 0 N 5 149<br />

to a recent study by Mary Biggs, independent noncommercial presses are<br />

the major source of exposure for all poets, young <strong>and</strong> old, prize winning<br />

or not. 5<br />

The staple of the independent literary press is the single-author poetry<br />

collection. Douglas Messerli, publisher of Sun & Moon Press, a highend<br />

small press comparable to Black Sparrow, New Directions, <strong>and</strong> Dalkey<br />

Archive, provided me with representative publication information for a<br />

100-page poetry collection:<br />

Print runs at Sun & Moon go from 1,000 to 2,000, depending, of course,<br />

on likely sales. Messerli notes that print runs of less than 1,000 drive the<br />

unit cost up too high <strong>and</strong> he encourages other literary presses to print a<br />

minimum of 1,000 copies if at all possible.<br />

Sun & Moon titles are well-produced, perfectbound, <strong>and</strong> offset with<br />

full color covers. The printing bill for this runs from $2,600 to $4,000 as<br />

you go from 1,000 to 2,000 copies. Messerli estimates the cost of editing<br />

a 100-page poetry book at $300: this covers all the work between the<br />

press receiving a manuscript <strong>and</strong> sending it to a designer (including any<br />

copyediting <strong>and</strong> proofreading that may be necessary as well as preparation<br />

of front <strong>and</strong> back matter <strong>and</strong> cover copy). Typesetting is already a<br />

rarity for presses like Sun & Moon, with authors expected to provide<br />

computer disks wherever possible. Formatting these disks (converting<br />

them into type following specifications of the book designer) can cost<br />

anywhere from $300 to $1,000, one of those variable labor costs typical<br />

of small press operations. The book designer will charge about $500. The<br />

cover will cost an additional $100 for photographic reproduction or permission<br />

fees or both. Publicity costs must also be accounted for, even if,<br />

as at Sun & Moon, no advertising is involved. Messerli estimates publicity<br />

costs at $1,500, which covers the cost of something like 100 free<br />

copies distributed to reviewers, postage <strong>and</strong> packing, mailings <strong>and</strong> catalog<br />

pages, etc. The total cash outlay here, then, for 2,000 copies, is<br />

around $6,800. (For the sake of this discussion, overhead costs-rent,<br />

salaries, office equipment, phone bills, etc.-are not included; such costs<br />

typically are estimated at about 30 percent more than the cost of production.)<br />

If all goes well, Sun & Moon will sell out of its print run in two years.<br />

Let's say Sun & Moon prints 2,000 copies of the book <strong>and</strong> charges $10 retail;<br />

let's also say all the books were sold. That makes a gross of $20,000.<br />

Subtract from this a 50 percent wholesale discount (that is, most book-<br />

5. Mary Biggs, A Gift That Cannot Be Refused, The Writing <strong>and</strong> Publishing of Contemporary American<br />

Poetry (Westport, Conn.: Greenwood Press, 1990), cited in Glazier, Small Press, p. 38.

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