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My Way_ Speeches and Poems - Charles Bernstein

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I ~on't la~e ~oi[e mail<br />

The Object of Art in the Age of<br />

Electronic Technology<br />

Before diagnosing the condition of the art object in an age of electronic<br />

technology, let me first address the question of the object of art in an age<br />

of global commodification. I won't be the last to note that capitalism transcends<br />

the technologies through which it operates. So just as today's art<br />

world is dominated by marketing, sales, <strong>and</strong> promotion, so the object of<br />

art in the age of electronic technology will continue to be profit; <strong>and</strong> the<br />

values most typically promoted by the art world will continue to be governed<br />

by market, rather than aesthetic, formal, philosophical, or ethical,<br />

values.<br />

Within the art world, as in the corporate board rooms, the focus of discussion<br />

has been on how to exploit the emerging electronic media, as if<br />

cyberspace were a new wilderness from which to carve your niche-better<br />

get on board, er, on line, first before the prime sites are staked out. For<br />

if the object of art is to sell objects, then the new electronic environment<br />

presents many problems but also many opportunities.<br />

But art, if it could speak, might well object to these assumptions. (If art<br />

could speak we could not underst<strong>and</strong> it-that's one way to put it; perhaps<br />

it's more accurate to say if art could speak it would be poetry <strong>and</strong> poetry's<br />

got nothing to sell.) Art might speak not of its object but its objects; it<br />

might testily insist that one of its roles is to resist commodification, to use<br />

its materiality to push against the total absorption of meaning into the<br />

market system, <strong>and</strong> that's why it got one of the first e-mail accounts on<br />

the net-to talk about it. But you can't sell talk, or not for much, <strong>and</strong> that<br />

can make the net a vexing place for the purveyors of art.<br />

Today's internet-a decentralized, largely text-based, linking of individual<br />

sites or constellations of users-will be superseded by what is aptly<br />

called the information superhighway. Just as the old dirt roads <strong>and</strong> smaller<br />

rural routes were ab<strong>and</strong>oned by the megatraffic on the interstates, so<br />

much of the present informal, noncapital intensive exchanges on the net<br />

will become marginal back channels in a communications system owned<br />

<strong>and</strong> controlled by Time & Space, Inc., <strong>and</strong> other giant telecommunication<br />

conglomerates, proViding new <strong>and</strong> continually recirculating versions of

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