Andrea Langlois et al - Islands of Resistance - Pirate Radio in Canada
Andrea Langlois et al - Islands of Resistance - Pirate Radio in Canada
Andrea Langlois et al - Islands of Resistance - Pirate Radio in Canada
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126 • islands <strong>of</strong> resistance<br />
a “help my friend out” type th<strong>in</strong>g, but then led to me becom<strong>in</strong>g <strong>in</strong>terested<br />
<strong>in</strong> radio and go<strong>in</strong>g on to host and create content for community<br />
and pirate radio. 13<br />
TAR Cont<strong>in</strong>ues to Grow<br />
The second TAR pirate radio music festiv<strong>al</strong> took place <strong>in</strong> November<br />
2007. We held it at the same location, and this time we had an antenna<br />
technician climb onboard. This was fabulous as she was able to f<strong>in</strong><strong>et</strong>une<br />
the antenna so that our range improved dramatic<strong>al</strong>ly. This was<br />
comb<strong>in</strong>ed with the fact that we had a friend grab his climb<strong>in</strong>g gear,<br />
sc<strong>al</strong>e the ro<strong>of</strong> and <strong>in</strong>st<strong>al</strong>l the antenna at the peak. The difference <strong>of</strong><br />
another 15-20 fe<strong>et</strong> was significant and meant that the reception across<br />
the city <strong>of</strong> Victoria was much more solid. Often it is the placement <strong>of</strong><br />
your antenna — rather then the wattage <strong>of</strong> your transmitter — that<br />
is <strong>of</strong> prime importance <strong>in</strong> terms <strong>of</strong> secur<strong>in</strong>g a solid range. Antennas<br />
work via l<strong>in</strong>e <strong>of</strong> sight, so the higher you can g<strong>et</strong> them without build<strong>in</strong>gs<br />
<strong>in</strong> the way, the b<strong>et</strong>ter.<br />
This time, we had 14 bands play live. (The genres <strong>in</strong>cluded tradition<strong>al</strong>,<br />
folk, <strong>al</strong>t-country, roots, jazz, spoken word, punk, hip hop/beat<br />
box and rock/experiment<strong>al</strong>). Most <strong>of</strong> these bands would never g<strong>et</strong> the<br />
chance to perform live on radio, and many were motivated to take part<br />
for politic<strong>al</strong> reasons. We used the same forms <strong>of</strong> publicity to spread the<br />
word. We once aga<strong>in</strong> had support from CFUV; so much so that they<br />
now requested the audio record<strong>in</strong>gs from the festiv<strong>al</strong> to rebroadcast<br />
on the station at a later date. These audio files have been made available<br />
through websites and it means that the bands that play g<strong>et</strong> radio<br />
exposure on TAR and beyond.<br />
Despite this more ma<strong>in</strong>stream recognition, it is the countercultur<strong>al</strong><br />
community that emerges with every festiv<strong>al</strong> that is treasured. Musicians<br />
me<strong>et</strong> across genres and develop new connections. There is a<br />
common<strong>al</strong>ity <strong>of</strong> spirit <strong>in</strong> the clandest<strong>in</strong>e locations where pirates hide<br />
out for the day. One <strong>of</strong> the performers, TemPest, stated, “Alternative<br />
media is rad and necessary, you hear th<strong>in</strong>gs from loc<strong>al</strong> folk who otherwise<br />
don’t have the opportunity to g<strong>et</strong> radio play. [The experience<br />
gave me] encouragement and <strong>in</strong>spiration for sure, I loved be<strong>in</strong>g able to<br />
me<strong>et</strong> some loc<strong>al</strong> musicians I admired. Loved the random secr<strong>et</strong> location<br />
bits!” 14<br />
Aga<strong>in</strong>, the eight-hour pirate radio festiv<strong>al</strong> was <strong>in</strong>terspersed with