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Andrea Langlois et al - Islands of Resistance - Pirate Radio in Canada

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164 • islands <strong>of</strong> resistance<br />

<strong>Radio</strong> Naked<br />

Tactics Towards <strong>Radio</strong> without Programm<strong>in</strong>g<br />

By Christ<strong>of</strong> Migone<br />

1. Always give the wrong time, date, weather and news report.<br />

2. Constantly change your broadcast<strong>in</strong>g frequency.<br />

3. Do any technic<strong>al</strong> repairs, regular clean<strong>in</strong>gs, plann<strong>in</strong>g for<br />

shows, committee me<strong>et</strong><strong>in</strong>gs, tra<strong>in</strong><strong>in</strong>g sessions, <strong>et</strong>c. on the air.<br />

4. Say what another station is say<strong>in</strong>g at the same time. If they<br />

compla<strong>in</strong>, tell them you’re a ventriloquist.<br />

5. Insist on the glob<strong>al</strong> <strong>in</strong>st<strong>al</strong>lation <strong>of</strong> radio park<strong>in</strong>g m<strong>et</strong>ers. The<br />

more you stay tuned to only one station the more you have to<br />

pay.<br />

6. Have an “Upside Down Week,” where <strong>al</strong>l shows would be<br />

found <strong>in</strong> a different time slot.<br />

7. Have a “Search Week” where <strong>al</strong>l shows would not be found.<br />

8. Have a “Traffic Jam” where stations <strong>in</strong> different cities broadcast<br />

each other’s traffic reports <strong>in</strong>stead <strong>of</strong> their own.<br />

9. Play the accordion: go from one watt to full power <strong>in</strong> one watt<br />

per day <strong>in</strong>crements and back down aga<strong>in</strong>.<br />

10. Keep <strong>al</strong>l faders up and play the entire record library <strong>of</strong> the<br />

radio station and then g<strong>et</strong> rid <strong>of</strong> it.<br />

11. Keep <strong>al</strong>l faders down and wait for a phone c<strong>al</strong>l.<br />

12. Fill your program with noth<strong>in</strong>g.<br />

13. Empty your program <strong>of</strong> everyth<strong>in</strong>g.<br />

14. Give your guest the controls and put yourself at the guest spot.<br />

15. Dissect the equipment <strong>of</strong> your radio station <strong>in</strong>to its component<br />

parts: transistors, capacitors, <strong>in</strong>tegrated circuits, <strong>et</strong>c. and send<br />

one out to each <strong>of</strong> your listeners.<br />

16. Go as fast as the technology you’re us<strong>in</strong>g. Carry your words to<br />

your listeners by runn<strong>in</strong>g.<br />

Written <strong>in</strong> 1992–1994 and used <strong>in</strong> a section <strong>of</strong> the lecture performance<br />

“Recipes For Disaster: post-digit<strong>al</strong> voice tactics” presented<br />

<strong>in</strong> 1997 at the Recycl<strong>in</strong>g the Future event organized by Kunstradio<br />

<strong>in</strong> Vienna, Austria. Revised <strong>in</strong> 2004 and first published <strong>in</strong> Christ<strong>of</strong><br />

Migone — Sound Voice Perform (Los Angeles: Errant Bodies Press,<br />

2005).

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