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Andrea Langlois et al - Islands of Resistance - Pirate Radio in Canada

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quite restrictive <strong>of</strong> <strong>in</strong>dividu<strong>al</strong> citizens’ self-expression. S<strong>in</strong>g<strong>in</strong>g <strong>in</strong> public<br />

is gener<strong>al</strong>ly associated with either madness or politic<strong>al</strong> propaganda.<br />

In this case, the public disturbance was fuelled by no other cause than<br />

a love <strong>of</strong> music.<br />

The chor<strong>al</strong>-radio work cont<strong>in</strong>ued to evolve <strong>in</strong> my m<strong>in</strong>d, and the<br />

next piece was decidedly <strong>in</strong> relationship with the concert h<strong>al</strong>l. Tak<strong>in</strong>g<br />

Steps, was performed dur<strong>in</strong>g the <strong>Radio</strong> Days festiv<strong>al</strong> <strong>in</strong> Montré<strong>al</strong> <strong>in</strong><br />

1995. The piece’s pr<strong>in</strong>ciple element was a radio documentary on hate<br />

mobs that attack marg<strong>in</strong><strong>al</strong>ized <strong>in</strong>dividu<strong>al</strong>s, and has a very menac<strong>in</strong>g<br />

tone. The sounds are <strong>of</strong> echo-filled subways and erratic footsteps.<br />

While the audience was seated <strong>in</strong> a concert h<strong>al</strong>l, listen<strong>in</strong>g to the two<br />

speakers <strong>in</strong> the front <strong>of</strong> the room, the soundtrack was simultaneously<br />

broadcast to a room one floor above. On a very precise music<strong>al</strong> cue, a<br />

choir (wear<strong>in</strong>g heavy workboots) began to stomp <strong>in</strong> a rhythmic pattern,<br />

directly above the back row <strong>of</strong> the audience just below. With each<br />

music<strong>al</strong> phrase, the stompers encroached slowly toward the front <strong>of</strong><br />

the audience, mak<strong>in</strong>g a threaten<strong>in</strong>g level <strong>of</strong> noise overhead. Perfectly<br />

<strong>in</strong> sync with the soundtrack, but on a different floor <strong>of</strong> the build<strong>in</strong>g,<br />

their presence was truly om<strong>in</strong>ous and disturb<strong>in</strong>g as if <strong>in</strong> a re<strong>al</strong> mob<br />

situation, steadily and <strong>in</strong>evitably encroach<strong>in</strong>g.<br />

Paradio, the last <strong>in</strong> this series, represented the encapsulation <strong>of</strong> the<br />

concept <strong>of</strong> large-sc<strong>al</strong>e chor<strong>al</strong> works and was performed <strong>al</strong>ong Banff<br />

Avenue <strong>in</strong> 1996. It was produced while I was <strong>in</strong> a performance residency<br />

c<strong>al</strong>led Private Investigators, and thirty or more <strong>of</strong> the residents<br />

at The Banff Centre proudly took part <strong>in</strong> this twenty-m<strong>in</strong>ute piece<br />

with easy voc<strong>al</strong> l<strong>in</strong>es over another recorded soundtrack. Like its predecessors,<br />

it created a very marked effect on a non-artist public with<br />

very low technic<strong>al</strong> requirement.<br />

Games and Treasure Hunts<br />

The Power <strong>of</strong> Sm<strong>al</strong>l • 207<br />

Revisit<strong>in</strong>g the idea <strong>of</strong> radio-enhanced soundw<strong>al</strong>k, my compositions<br />

have recently evolved <strong>in</strong>to treasure hunts, where the public is given<br />

extra motivation to listen. Commissioned by Sound Travels <strong>in</strong> 2003,<br />

the S<strong>in</strong>g<strong>in</strong>g Maze was a sonic treasure hunt that took place on Toronto’s<br />

Centre Island. It is a whimsic<strong>al</strong> fairy t<strong>al</strong>e <strong>in</strong> which riddles are <strong>of</strong>fered<br />

at various sites around the island. The story <strong>of</strong> a girl who m<strong>et</strong>amorphosed<br />

<strong>in</strong>to a bird unfolds, as the riddles po<strong>in</strong>t to fantastic<strong>al</strong> sights<br />

and sounds <strong>of</strong> birds, musicians play<strong>in</strong>g and s<strong>in</strong>g<strong>in</strong>g. Us<strong>in</strong>g low-watt

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