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Andrea Langlois et al - Islands of Resistance - Pirate Radio in Canada

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<strong>Pirate</strong> <strong>Radio</strong> and Maneuver • 159<br />

14. Jeff, artist, <strong>in</strong>terview, 1994.<br />

15. André Éric Létourneau, “L’empire des ondes,” “A World <strong>of</strong> Waves,” <strong>in</strong> Par<strong>al</strong>lélogramme,<br />

vol. 16, no. 4, Éditions ANPAC/RACA, Toronto (1991).<br />

16. Theodor Adorno, Le caractère fétiche dans la musique (Paris: Éditions<br />

Allia, 2007).<br />

17. Pierre Mercure, <strong>in</strong> Musique du Kébèk, ed. Raoul Duguay (Montré<strong>al</strong>: Éditions<br />

du jour, 1971).<br />

18. Karma Terraflop, radio artist, <strong>in</strong>terview, September 11, 2001.<br />

19. Pouf, person<strong>al</strong> <strong>in</strong>terview,1992.<br />

20. Smith’s work bore the title “Le cim<strong>et</strong>ière des ondes radios.”<br />

21. Marie-Michèle Cron, “Cris <strong>et</strong> chuchotements,” Le Devoir, Montré<strong>al</strong>, October<br />

1992.<br />

22. Sonia Pell<strong>et</strong>ier, “Ondes fluides <strong>et</strong> po<strong>in</strong>ts de force,” Inter, no. 55, Québec<br />

City: Éditions Interventions (1993).<br />

23. From Abribec’s onl<strong>in</strong>e archive, www.iso1000000000.ch/abribec/ (accessed<br />

May 23, 2009).<br />

24. Tommy Chou<strong>in</strong>ard, “Tous aux abris... fiscaux!” Voir, Québec City, July 11,<br />

2002.<br />

25. Complexe G, a 31-story government build<strong>in</strong>g built <strong>in</strong> 1968, houses numerous<br />

important Québec government <strong>of</strong>fices. It is the t<strong>al</strong>lest build<strong>in</strong>g <strong>in</strong> Québec<br />

City and dom<strong>in</strong>ates the skyscape.<br />

26. The adventure <strong>of</strong> this squat, whose purpose rose essenti<strong>al</strong>ly from the fight<br />

for soci<strong>al</strong> hous<strong>in</strong>g, is to this day commemorated yearly by various citizen groups<br />

<strong>of</strong> Québec City, Hommage au 920 de la Chevrotière, Centre des médias <strong>al</strong>ternatifs<br />

du Québec, www.neonyme.n<strong>et</strong>/squat/cmaq/<strong>in</strong>dex.html (accessed August 6,<br />

2009).<br />

27. “Just Soci<strong>et</strong>y,” was the famous elector<strong>al</strong> slogan <strong>of</strong> Pierre Elliott Trudeau.<br />

28. Accord<strong>in</strong>g to Jacques Soulillou <strong>in</strong> his L’impunité de l’art, acts that transgressed<br />

or were even labelled deviant would be more soci<strong>al</strong>ly acceptable, if not<br />

encouraged, <strong>in</strong> the contemporary art world rather than <strong>in</strong> most other sectors <strong>of</strong><br />

human activity. Jacques Soulillou, L’impunité de l’art (Paris: Seuil, 1995).<br />

29. Ben H. Bagdikian, The New Media Monopoly (Boston: Beacon Press,<br />

2004).<br />

30. This problematic is brilliantly described by Mario Gauthier <strong>in</strong> his “Standard<br />

III ou Un silence en cache-t-il un autre?” <strong>in</strong> Standard III, a bookl<strong>et</strong> accompany<strong>in</strong>g<br />

Benjam<strong>in</strong> Muon’s double-CD, Éditions PPT \ Strambogen, Paris, 2009.

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