An Eyewitness Account of Gallipoli:words and sketches by Signaller Ellis SilasJohn Laffin (ed.)Rosenberg: Kenthurst (NSW), <strong>2010</strong>ISBN: 978-1-8770-5891-2Reviewed by Lex McAulayThis 90-page book of Gallipoli sketches by Signaller Ellis Silas is a gem, with value far beyondthe dollar price. Why it was not republished since 1916 is a mystery.Silas was an artist who enlisted in the 16th Battalion AIF and was trained as a signaller, whichat the time meant constant exposure to enemy fire while carrying messages and using theflag system. The original edition included a foreword by General Sir Ian Hamilton and anintroduction by General Birdwood. For the <strong>2010</strong> edition, these were retained and the late JohnLaffin contributed a four-page biography of Ellis Silas, who continued to work as an artist anddesigner until his death at age 86 in 1972.Silas sketched the departure convoy, scenes in Cairo, the departure for Gallipoli, the landingand its aftermath. These evocative pictures complement the photos we now know so well andadd depth to what our forebears experienced at Gallipoli. One scene perhaps never beforeportrayed is the roll-call in the dim light of a ship’s hold on 25 April 1915, as men answeredtheir name before climbing to the deck of the destroyer for transfer to small boats for thelanding, with casualties from earlier waves already underfoot.After the landing, losses were so heavy that Silas was the only signaller available to A and BCompanies and, like many other men in battle, could not understand why he was not killedmany times. His drawings show the terrain, the ‘Diggers’, the wounded and dead, attacks,burials, resupply efforts, the removal of wounded by stretcher, the field ambulances andmedical evacuation, ending with ‘Heaven’ in a bed in Cairo. The final picture is of ‘Fame’,claiming as her own the fallen at Gallipoli.The original captions by Silas identify the location, the event and include some names ofthose portrayed, with remarks made by them, and so record the attitude of the first Diggers.Additional information by John Laffin provides historical detail. On the orders of medical staff,Silas was evacuated suffering from exhaustion and, in <strong>Aug</strong>ust 1916, was discharged from theAIF as ‘permanently unfit for war service’.No collection of books about Gallipoli is complete without this pictorial memoir by Ellis Silas,dubbed by John Laffin ‘the Anzac artist’. My only criticism is that this evocative book was notprinted in Australia.100
The Ashgate Research Companion to Modern WarfareGeorge Kassimeris and John Buckley (eds.)Ashgate: Farnham, UK, <strong>2010</strong>ISBN: 978-0-7546-7410-8Reviewed by Air Commodore Mark Lax, CSM (Retd)Never judge a book by its title, let alone its cover. When I was asked to review this 452-pagehardback book from UK publisher Ashgate, I expected to find it contained a comprehensiveguide to sources, both academic and contemporary. I was hoping also for a recommendedreading list and an extensive bibliography, including a variety of subjects connected to the titleand lists of authors who are considered the experts in the field. I found only some of what Isought.This Ashgate Companion is one of a series of their publications on academic subjects rangingfrom politics to history. In this, their Companion to Modern Warfare, British academics andeditors George Kassimeris and John Buckley have collated 25 themed essays by subject matterexperts, all written in the last few years. The majority of the authors are either European orNorth American with only two from other areas. One, Dr Brett Bowden, is <strong>Australian</strong> whowrites on ‘Civilization and Savagery’, which continues the morality theme with which he isrecognised.The book is divided into parts corresponding to its four major topics of: Strategy and Conductof War; Aspects of Modern War; Morality and Law; and Perceptions and Representations ofWarfare. Each part presents select papers of about 20 pages each and provides the reader withthe latest thinking on the issue at hand. Typical, and by way of example, are papers on thelatest counter-insurgency theory, cyberwar, humanitarian intervention issues and the impactof modern media. There are some quite unusual topics as well, such as ‘Music as an Inspirationfor Combat among American Soldiers in Iraq’ and ‘Cinema and the Cold War’. All are worthyof further consideration.While all the papers are high quality, to me, three stood out. The first by Thomas Kane entitled‘Lying Down with Dogs’, offers commentary of the Bush administration’s Machiavellianapproach to Afghanistan and Iraq and why it failed. The second is Chris Kinsey’s ‘Turning Warinto Business’, about the commercialisation of war and how war is now big business, and thethird is Stephen Badsey’s ‘Media War and Media Management’. That said, I’ll let the reader bethe judge.101
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