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Advanced Copyright Issues on the Internet - Fenwick & West LLP

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On Line (AOL), may c<strong>on</strong>stitute infringements of <strong>the</strong> public performance right. 1073 As noted inPart II above, <strong>the</strong> fact that potential recipients of transmitted displays and performances aregeographically and/or temporally dispersed does not prevent a transmissi<strong>on</strong> to a single recipientin any given instance from creating a “public” display or performance.In a great many instances, a copyright holder will have placed material <strong>on</strong> <strong>the</strong> <strong>Internet</strong>with <strong>the</strong> intent and desire that it be browsed. Browsing of such material will no doubt bedeemed to be ei<strong>the</strong>r within <strong>the</strong> scope of an implied license from <strong>the</strong> copyright holder or a fairuse. For example, <strong>the</strong> court in Religious Technology Center v. Netcom On-Line Communicati<strong>on</strong>Services 1074 noted in dicta that much of digital browsing is probably a fair use or an innocentinfringement:Absent a commercial or profit-depriving use, digital browsing is probably a fairuse; <strong>the</strong>re could hardly be a market for licensing <strong>the</strong> temporary copying of digitalworks <strong>on</strong>to computer screens to allow browsing. Unless such a use iscommercial, such as where some<strong>on</strong>e reads a copyrighted work <strong>on</strong>line and<strong>the</strong>refore decides not to purchase a copy from <strong>the</strong> copyright owner, fair use islikely. Until reading a work <strong>on</strong>line becomes as easy and c<strong>on</strong>venient as reading apaperback, copyright owners do not have much to fear from digital browsing and<strong>the</strong>re will not likely be much market effect.Additi<strong>on</strong>ally, unless a user has reas<strong>on</strong> to know, such as from <strong>the</strong> title of amessage, that <strong>the</strong> message c<strong>on</strong>tains copyrighted materials, <strong>the</strong> browser will beprotected by <strong>the</strong> innocent infringer doctrine, which allows <strong>the</strong> court to award nodamages in appropriate circumstances. In any event, users should hardly worryabout a finding of direct infringement: it seems highly unlikely from a practicalmatter that a copyright owner could prove such infringement or would want to suesuch an individual. 1075Although <strong>the</strong> Netcom court is no doubt correct in its observati<strong>on</strong>s under U.S. copyrightlaw, never<strong>the</strong>less browsing raises important copyright problems that cannot be dismissed simply<strong>on</strong> <strong>the</strong> noti<strong>on</strong> that doctrines such as fair use, implied license, or innocent infringement willremove <strong>the</strong> problems entirely. First, <strong>Internet</strong> activities are inherently global, and countriesoutside <strong>the</strong> U.S. may not apply defensive doctrines such as fair use and implied license asbroadly as U.S. courts. At best, <strong>the</strong> rules may differ from country to country, which will breeduncertainty and <strong>the</strong> possibility of inc<strong>on</strong>sistent results in different countries.Sec<strong>on</strong>d, as elaborated below in <strong>the</strong> discussi<strong>on</strong> <strong>on</strong> caching, copyright owners may beginplacing notices <strong>on</strong> <strong>the</strong>ir works governing <strong>the</strong> uses to which <strong>the</strong>y may be put. Such notices mayrestrict use of <strong>the</strong> work in ways that are unclear or undesirable, and <strong>the</strong> applicability of <strong>the</strong> fairuse or implied license doctrines may become more uncertain in <strong>the</strong> face of such notices.1073 The public digital performance right in a sound recording may also be implicated.1074 907 F. Supp. 1361 (N.D. Cal. 1995).1075 Id. at 1378 n.25.- 247 -

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