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Advanced Copyright Issues on the Internet - Fenwick & West LLP

Advanced Copyright Issues on the Internet - Fenwick & West LLP

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copies of copyrighted works <strong>on</strong> <strong>the</strong> <strong>Internet</strong> had decreased <strong>the</strong>ir sales revenue, and <strong>the</strong> defendanthad offered no affidavits or expert report to disprove or dispute that evidence. 199The court’s opini<strong>on</strong> c<strong>on</strong>tains a few o<strong>the</strong>r interesting observati<strong>on</strong>s with respect to <strong>the</strong>doctrine of fair use as applied to file sharing. First, citing <strong>the</strong> case of American GeophysicalUni<strong>on</strong> v. Texaco Inc., 200 <strong>the</strong> court noted that a fair use determinati<strong>on</strong> may be affected by <strong>the</strong>availability or absence of authorized ways to obtain <strong>the</strong> work in questi<strong>on</strong>. The defendantasserted that <strong>the</strong> emergence of easy-to-use, paid outlets for digital music, such as <strong>the</strong> iTunesmusic store, had lagged well behind <strong>the</strong> advent of file sharing, and this fact should affect <strong>the</strong> fairuse analysis. The court resp<strong>on</strong>ded that, whatever <strong>the</strong> availability of authorized digitalalternatives was when peer-to-peer networks first because widespread in 1999, it was clear thatby August 2004 – when <strong>the</strong> defendant’s file sharing was detected – a commercial market fordigital music had fully materialized. In light of that chr<strong>on</strong>ology, <strong>the</strong> unavailability of paid digitalmusic was simply not relevant to <strong>the</strong> court’s applicati<strong>on</strong> of <strong>the</strong> fair use doctrine. 201Although granting <strong>the</strong> plaintiffs’ moti<strong>on</strong> for summary judgment <strong>on</strong> <strong>the</strong> defendant’s fairuse defense, <strong>the</strong> court c<strong>on</strong>cluded with <strong>the</strong> following two interesting dicta:– “[T]he Court does not believe <strong>the</strong> law is so m<strong>on</strong>olithic, or <strong>the</strong> principles of fair use s<strong>on</strong>arrow that <strong>the</strong>y could not encompass some instances of file sharing copyrighted works. ThisCourt, unlike o<strong>the</strong>rs that have spoken <strong>on</strong> <strong>the</strong> subject, can envisi<strong>on</strong> a scenario in which adefendant sued for file sharing could assert a plausible fair use defense – for example, <strong>the</strong>defendant who ‘deleted <strong>the</strong> mp3 files after sampling <strong>the</strong>m, or created mp3 files exclusively forspace-shifting purposes from audio CDs <strong>the</strong>y had previously purchased.’ (Berkman Center Br. at36-37, document # 177-3.) The Court can also envisi<strong>on</strong> a fair use defense for a defendant whoshared files during a period before <strong>the</strong> law c<strong>on</strong>cerning file sharing was clear and paid outletswere readily available. … A defendant who shared files <strong>on</strong>line during this interregnum, sampling<strong>the</strong> new technology and its possibilities, but later shifted to paid outlets <strong>on</strong>ce <strong>the</strong> law becauseclear and authorized sources available, would present a str<strong>on</strong>g case for fair use.” 202– “As this Court has previously noted, it is very, very c<strong>on</strong>cerned that <strong>the</strong>re is a deeppotential for injustice in <strong>the</strong> <str<strong>on</strong>g>Copyright</str<strong>on</strong>g> Act as it is currently written. It urges – no implores –C<strong>on</strong>gress to amend <strong>the</strong> statute to reflect <strong>the</strong> realities of file sharing. There is something wr<strong>on</strong>gwith a law that routinely threatens teenagers and students with astr<strong>on</strong>omical penalties for anactivity whose implicati<strong>on</strong>s <strong>the</strong>y may not have fully understood. The injury to <strong>the</strong> copyrightholder may be real, and even substantial, but, under <strong>the</strong> statute, <strong>the</strong> record companies do not evenhave to prove actual damage.” 203199200201202203Id. at 230-31.60 F.3d 913, 931 (2d Cir. 1994).Tenenbaum, 672 F. SAupp. 2d at 235-36.Id. at 237-38.Id. at 237.- 60 -

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