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Advanced Copyright Issues on the Internet - Fenwick & West LLP

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infringement were based <strong>on</strong> XM’s acting without authorizati<strong>on</strong> as a commercial c<strong>on</strong>tent deliveryprovider that delivered permanent digital copies of sound recordings to those devices withoutpermissi<strong>on</strong> from <strong>the</strong> copyright owner. 220More specifically, <strong>the</strong> plaintiffs alleged that, in providing services specific to users ofXM + MP3 players, XM was acting outside <strong>the</strong> scope of its statutory license for broadcastservice under Secti<strong>on</strong> 114 of <strong>the</strong> copyright statute – XM’s <strong>on</strong>ly source of permissi<strong>on</strong> to use <strong>the</strong>plaintiffs’ recordings. Such unauthorized acts, according to <strong>the</strong> plaintiffs, were encroachingdirectly <strong>on</strong> <strong>the</strong>ir digital download business. 221 The court agreed, finding that by broadcastingand storing copyrighted music <strong>on</strong> DARDs for later recording by <strong>the</strong> c<strong>on</strong>sumer, XM was acting asa both a broadcaster and a distributor, but was paying license fees <strong>on</strong>ly to be a broadcaster. 222XM argued that its XM + MP3 player was much like a traditi<strong>on</strong>al radio/cassette playerand should <strong>the</strong>refore not be viewed as an improper adjunct to broadcasts. The court rejected thisanalogy, noting that, in <strong>the</strong> case of traditi<strong>on</strong>al radio/cassette players, <strong>the</strong> <strong>on</strong>ly c<strong>on</strong>tact betweenmanufacturers of <strong>the</strong> devices and users occurred at <strong>the</strong> point of sale. The court found it quiteapparent that <strong>the</strong> use of a radio/cassette player to record s<strong>on</strong>gs played over free radio did notthreaten <strong>the</strong> market for copyrighted works as would <strong>the</strong> use of a recorder which stores s<strong>on</strong>gsfrom private radio broadcasts <strong>on</strong> a subscripti<strong>on</strong> fee basis. The court fur<strong>the</strong>r noted that, althoughXM subscribers might put XM + MP3 players to private use, several court decisi<strong>on</strong>s had rejectedattempts by for profit users to stand in <strong>the</strong> shoes of <strong>the</strong>ir customers making n<strong>on</strong>-profit orn<strong>on</strong>commercial uses. 223The court <strong>the</strong>refore denied XM’s moti<strong>on</strong> to dismiss: “The Court finds that because of <strong>the</strong>unique circumstances of XM being both a broadcaster and a DARD distributor and its access to<strong>the</strong> copyrighted music results from its license to broadcast <strong>on</strong>ly, that <strong>the</strong> alleged c<strong>on</strong>duct of XMin making that music available for c<strong>on</strong>sumers to record well bey<strong>on</strong>d <strong>the</strong> time when broadcast, inviolati<strong>on</strong> of its broadcast license, is <strong>the</strong> basis of <strong>the</strong> Complaint, and being a distributor of aDARD is not. Thus <strong>the</strong> AHRA, <strong>on</strong> <strong>the</strong>se facts, provides no protecti<strong>on</strong> to XM merely because<strong>the</strong>y are distributors of a DARD.” 224B. The Right of Public PerformanceSecti<strong>on</strong> 106(4) of <strong>the</strong> copyright statute grants <strong>the</strong> owner of copyright in a work <strong>the</strong>exclusive right to perform <strong>the</strong> work publicly. The right applies to literary, musical, dramatic,and choreographic works, pantomimes, moti<strong>on</strong> pictures and o<strong>the</strong>r audiovisual works. It does notapply to pictorial, graphic, sculptural, and architectural works. It also does not apply to sound220221222223224Id. at *16-18.Id. at *19.Id. at *20.Id. at *21-22.Id. at *23-24.- 64 -

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