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Advanced Copyright Issues on the Internet - Fenwick & West LLP

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<strong>on</strong>e hour of a request or at a time designated by <strong>the</strong> transmitting entity or <strong>the</strong>individual making <strong>the</strong> request. 2243The <str<strong>on</strong>g>Copyright</str<strong>on</strong>g> Office denied <strong>the</strong> petiti<strong>on</strong>, ruling, am<strong>on</strong>g o<strong>the</strong>r things, that “[i]n light of<strong>the</strong> rapidly changing business models emerging in today’s digital marketplace, no rule canaccurately draw <strong>the</strong> line demarcating <strong>the</strong> limits between an interactive service and an<strong>on</strong>interactive service. Nor can <strong>on</strong>e readily classify an entity which makes transmissi<strong>on</strong>s asexclusively interactive or n<strong>on</strong>interactive.” 2244 The Office c<strong>on</strong>cluded that <strong>the</strong> determinati<strong>on</strong> ofwhe<strong>the</strong>r a particular activity is “interactive” must be determined <strong>on</strong> a case by case basis up<strong>on</strong> afull evidentiary record. 2245(a) Arista Records v. Launch MediaIn Arista Records, LLC v. Launch Media, Inc., 2246 <strong>the</strong> Sec<strong>on</strong>d Circuit, affirming a jurydeterminati<strong>on</strong>, held that <strong>the</strong> LAUNCHcast webcasting service was not an “interactive” servicewithin <strong>the</strong> meaning of Secti<strong>on</strong> 114(j)(7) as a matter of law, 2247 and Launch Media could <strong>the</strong>reforerely <strong>on</strong> <strong>the</strong> statutory license for public performances via digital audio transmissi<strong>on</strong>s. TheLAUNCHcast service enabled a user to create “stati<strong>on</strong>s” that played s<strong>on</strong>gs within a particulargenre or similar to a particular artist or s<strong>on</strong>g <strong>the</strong> user selected. Specifically, up<strong>on</strong> registeringwith <strong>the</strong> service, <strong>the</strong> user would select artists whose music she preferred. The user would <strong>the</strong>nlist genres <strong>the</strong> user enjoyed and rate <strong>the</strong>m <strong>on</strong> a scale. The user was also asked <strong>the</strong> percentage ofs<strong>on</strong>gs <strong>the</strong> user had not previously rated <strong>the</strong> user would like to incorporate into <strong>the</strong> user’s stati<strong>on</strong>(<strong>the</strong> “unrated quota”). The minimum unrated quota was 20%. Once LAUNCHcast beganplaying music based <strong>on</strong> <strong>the</strong> user’s preferred artists and genres, <strong>the</strong> user would rate <strong>the</strong> s<strong>on</strong>gs,artists, and albums played between zero and 100. Below <strong>the</strong> rating field were hyperlinks termed“history,” “share,” and “buy.” The history hyperlink allowed <strong>the</strong> user to see a list of <strong>the</strong> s<strong>on</strong>gspreviously played, and <strong>the</strong> buy hyperlink facilitated <strong>the</strong> user’s purchase of <strong>the</strong> s<strong>on</strong>gs. The sharehyperlink allowed <strong>the</strong> user to share <strong>the</strong> stati<strong>on</strong> with o<strong>the</strong>r users. That feature facilitated <strong>the</strong>subscripti<strong>on</strong> of <strong>on</strong>e user to ano<strong>the</strong>r user’s stati<strong>on</strong>. While a s<strong>on</strong>g played, <strong>the</strong> user had <strong>the</strong> abilityto pause <strong>the</strong> s<strong>on</strong>g, skip <strong>the</strong> s<strong>on</strong>g, or delete <strong>the</strong> s<strong>on</strong>g from <strong>the</strong> stati<strong>on</strong> by rating it zero. The userwas not able to go back to restart a s<strong>on</strong>g that was playing, or to repeat any of <strong>the</strong> previouslyplayed s<strong>on</strong>gs in <strong>the</strong> playlist. 2248Each time <strong>the</strong> user logged into <strong>the</strong> LAUNCHcast service and selected a stati<strong>on</strong>, <strong>the</strong>service generated a playlist of 50 s<strong>on</strong>gs selected from a hashtable of potential s<strong>on</strong>gs that could beput into <strong>the</strong> playlist. The hashtable was generated using a very complicated algorithm that tookinto account numerous variables, <strong>on</strong>ly some of which included <strong>the</strong> user’s preferred artists and2243 65 Fed. Reg. 77330, 77331 (Dec. 11, 2000).2244 Id. at 77332-33.2245 Id. at 77332.2246 578 F.3d 148 (2d Cir. 2009), cert. denied, 2010 U.S. LEXIS 810 (Jan. 25, 2010).2247 The court ruled that <strong>the</strong> issue of interactivity presents an issue of law. Id. at 151-52.2248 Id. at 157-58.- 488 -

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