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Advanced Copyright Issues on the Internet - Fenwick & West LLP

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interim copies made during <strong>the</strong> course of transmissi<strong>on</strong> infringe <strong>the</strong> reproducti<strong>on</strong> right. The billthat was adopted – The Digital Millennium <str<strong>on</strong>g>Copyright</str<strong>on</strong>g> Act – c<strong>on</strong>tains nothing explicitlyaddressing <strong>the</strong> scope of <strong>the</strong> reproducti<strong>on</strong> right in a digital envir<strong>on</strong>ment.(1) The Digital Millennium <str<strong>on</strong>g>Copyright</str<strong>on</strong>g> ActThe DMCA was signed into law by President Clint<strong>on</strong> <strong>on</strong> Oct. 28, 1998. It is essentiallyan enactment of H.R. 2281, introduced in <strong>the</strong> House in July of 1997 by Rep. Howard Coble, andits nearly identical counterpart in <strong>the</strong> Senate, S. 1121, introduced by Sen. Orrin Hatch also inJuly of 1997, which was later combined with ano<strong>the</strong>r bill and, as combined, denominated S.2037. Both H.R. 2281 and S. 1121 were introduced with <strong>the</strong> support of <strong>the</strong> Clint<strong>on</strong>administrati<strong>on</strong>.Title I of <strong>the</strong> DMCA, entitled <strong>the</strong> “WIPO <str<strong>on</strong>g>Copyright</str<strong>on</strong>g> and Performances and Ph<strong>on</strong>ogramsTreaties Implementati<strong>on</strong> Act of 1998” and comprised of Secti<strong>on</strong>s 101 through 105, implements<strong>the</strong> WIPO treaties. Title I takes a minimalist approach to implementing <strong>the</strong> requirements of <strong>the</strong>WIPO treaties. The Clint<strong>on</strong> administrati<strong>on</strong> took <strong>the</strong> view that most of <strong>the</strong> enhanced copyrightprotecti<strong>on</strong>s set forth in <strong>the</strong> treaties were already available under United States law, so that nomajor changes to U.S. law were believed necessary to implement <strong>the</strong> treaties.Specifically, <strong>the</strong> DMCA addresses <strong>on</strong>ly <strong>the</strong> requirements of Arts. 11 and 12 of <strong>the</strong> WIPO<str<strong>on</strong>g>Copyright</str<strong>on</strong>g> Treaty, and of Arts. 18 and 19 of <strong>the</strong> WIPO Performances and Ph<strong>on</strong>ograms Treaty, toprovide adequate legal protecti<strong>on</strong> and effective legal remedies against (i) <strong>the</strong> circumventi<strong>on</strong> ofeffective technological measures that are used by rights holders to restrict unauthorized acts withrespect to <strong>the</strong>ir protected works, and (ii) <strong>the</strong> removal or alterati<strong>on</strong> of any electr<strong>on</strong>ic rightsmanagement informati<strong>on</strong> (informati<strong>on</strong> which identifies <strong>the</strong> work, <strong>the</strong> author of <strong>the</strong> work, <strong>the</strong>owner of any right in <strong>the</strong> work, or informati<strong>on</strong> about <strong>the</strong> terms and c<strong>on</strong>diti<strong>on</strong>s of use of <strong>the</strong>work), or <strong>the</strong> distributi<strong>on</strong> or communicati<strong>on</strong> to <strong>the</strong> public of copies of works knowing that <strong>the</strong>electr<strong>on</strong>ic rights management informati<strong>on</strong> has been removed or altered. The specific provisi<strong>on</strong>sof <strong>the</strong>se bills are discussed in fur<strong>the</strong>r detail below. These bills c<strong>on</strong>tain nothing addressing <strong>the</strong>reproducti<strong>on</strong> right or how that right relates to <strong>the</strong> digital envir<strong>on</strong>ment.(2) Legislati<strong>on</strong> Not AdoptedAn alternative bill to implement <strong>the</strong> WIPO treaties, S. 1146, entitled <strong>the</strong> “Digital<str<strong>on</strong>g>Copyright</str<strong>on</strong>g> Clarificati<strong>on</strong> and Technology Educati<strong>on</strong> Act of 1997,” was introduced <strong>on</strong> Sept. 3,1997 by Sen. John Ashcroft. Like <strong>the</strong> DMCA, S. 1146 c<strong>on</strong>tained language to implementprohibiti<strong>on</strong>s against <strong>the</strong> circumventi<strong>on</strong> of technologies to prevent unauthorized access tocopyrighted works and to provide electr<strong>on</strong>ic rights management informati<strong>on</strong> about a work,although it adopted a different approach to doing so than <strong>the</strong> DMCA, as discussed fur<strong>the</strong>r below.S. 1146 also c<strong>on</strong>tained, however, a much broader package of copyright-related measures.With respect to <strong>the</strong> reproducti<strong>on</strong> right, S. 1146 would have clarified that ephemeral copies of awork in digital form that are incidental to <strong>the</strong> operati<strong>on</strong> of a device in <strong>the</strong> ordinary course oflawful use of <strong>the</strong> work do not infringe <strong>the</strong> reproducti<strong>on</strong> right. Specifically, S. 1146 would haveadded a new subsecti<strong>on</strong> (b) to Secti<strong>on</strong> 117 of <strong>the</strong> copyright statute to read as follows:- 50 -

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