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ROYAL HERALDRY. 379<br />

wealthy and industrious, full of imaginative genius, art, and refinement<br />

their panacea for all their failings was song. The form and rhythm of their<br />

songs were varied the tenzon, the acrostic, the ballad, the frottola, the<br />

sonnet, the cobbole, the canzon. Every chateau, however petty, had its poet<br />

to write metrical histories, to satirize adversaries, to extol the family, to<br />

greet the wedding with a song and the funeral with an elegy, to play every<br />

conceivable instrument, and with perfect patience to endure every practical<br />

joke. Courts of Love, with president and council regularly appointed,<br />

gravely regulated all domestic scandals and differences, controlled matrimonial<br />

irregularities, and punished offenders. A Code of Love, containing<br />

3 1 clauses, was drawn up, and four orthodox stages of love-making were<br />

laid down. Some were enrolled as cavaliers-servente whose duties were to<br />

wait upon fair ladies, supply their wants, and protect them from harm.<br />

Some roamed the country as troubadours free to come and go wherever<br />

they pleased, ever sure of welcome and hospitality, amongst the artisans or<br />

country-folk, at the hostelries, and at the great houses also. Sometimes,<br />

perhaps, their songs were unduly flavoured with satire and scandal, but<br />

many undertook their profession as a mission.<br />

" I see but one remedy for<br />

" all this mischief, and that is the art of the troubadour," said Vidal, as he<br />

strove with many to<br />

raise the tone of morality, if not religion.<br />

It seems almost a dream in this prosaic age<br />

that such an effort<br />

should have been made. Well, the results were not, perhaps, altogether<br />

successful, though we have no reason to be ashamed of the reputations<br />

of the two fair sisters who were allied to our royal house. Eleanor and<br />

Senchia were tender, loving wives; and the former exhibited a firmness and<br />

courage which often supported her somewhat capricious and vacillating<br />

husband in his trials and difficulties. She filled the office of " Gustos<br />

" regia vice regis," during his absence abroad, with dignity and vigour,<br />

and pawned her jewels when need required<br />

it ;<br />

and if her beauty and<br />

luxuries sometimes emptied his purse, her resolution and decision as often<br />

replenished it, and forced even the reluctant citizens of London to pay their<br />

quota of " "<br />

aurum reginae whenever she demanded it. The whole Court<br />

mourned the death of the gentle Senchia, 1261. The King passed to his<br />

rest, 1272, and eight years after, Eleanor retired to the convent of Ambresbury<br />

with her two granddaughters, Mary, daughter of Edward and<br />

I.,<br />

Eleanor, daughter of the deceased Duchess of Bretagne. In 1284, according<br />

to Matthew Paris, "That generous virago Elianor, Queen of England,<br />

" mother of the King, took the veil and religious habit at Ambresbury."<br />

During the next seven years she maintained a close and tender intercourse<br />

with her son, often advising him on matters of state, and receiving<br />

from him the most dutiful and loving attention, and ever styling herself<br />

"Elinor, humble nun of the Order of Fontevraud." She died the year

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