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Our industry celebrates diversity – but demands consistent quality.

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large Festival Hall holds up<br />

to 1,200 guests. On the sixth<br />

floor lies the ‘Oval Office’ <strong>–</strong> a<br />

multipurpose boardroom<br />

complete with its own kitchen,<br />

bar and an impressive<br />

panoramic view across the<br />

roofs of Hamburg <strong>–</strong> and the<br />

roughly 135 square metre<br />

‘Grand Suite’, which has accommodated<br />

many celebrities,<br />

among them the Dalai<br />

Lama.<br />

The five-star hostelry<br />

houses more than 650<br />

paintings, sculptures, prints<br />

and photographs, acquired<br />

and put together over 25<br />

years by the business couple<br />

Eugen and Christa<br />

Block. The collection centres<br />

on North German representational<br />

painting from<br />

1919 to the present day.<br />

Quality reproductions decorate<br />

the 511 hotel rooms.<br />

eas and promenades created<br />

in the old Speicherstadt (literally<br />

city of warehouses, or<br />

warehouse district). In the<br />

west, star architects Herzog<br />

& de Meuron from Switzerland<br />

are setting a glass concert<br />

hall <strong>–</strong> the Elbphilharmonie<br />

<strong>–</strong> on the top of Kaispeicher<br />

A. The city und HafenCity<br />

are one, is the credo, based<br />

on the magic formula: 50 percent<br />

offices, 20 percent special<br />

use, i.e. hotels or museums,<br />

and 30 percent residential.<br />

A master plan dating<br />

from 2000 prescribed roughly<br />

this mix.<br />

The public promenades are<br />

ten kilometres long. No building<br />

is set directly on the waterfront,<br />

visitors can always<br />

walk in-between. A pedestrian<br />

zone will extend from the<br />

Speicherstadt to the Elbe.<br />

The new cruise ship terminal<br />

1/2010<br />

Hamburg: Busy container port with<br />

enormous warehouse space, packing<br />

halls and cranes.<br />

will be located there, with a<br />

400-room hotel to be built at<br />

the berth. Going forward, up<br />

to 70,000 day-trippers are targeted<br />

to stroll through a HafenCity<br />

resplendent with the<br />

cruiser terminal designed by<br />

the Italian Massimiliano Fuksas.<br />

The cruise boom guaranteed<br />

the port a successful season<br />

in spite of the economic<br />

crunch. Following the opening<br />

of a new terminal passenger<br />

numbers almost doubled.<br />

And next year is already expected<br />

to bring 220,000 passengers<br />

to Hamburg on more<br />

than a hundred cruisers. “Demand<br />

for cruises is brisk, the<br />

market is enjoying steady<br />

Hamburg’s biggest<br />

building site<br />

growth,” is the summary by<br />

Gerd Drossel from the Hamburg<br />

Cruise Center. And now<br />

a musician <strong>–</strong> Udo Lindenberg<br />

<strong>–</strong> has seized an entire ship, no<br />

less. At the beginning of May<br />

the first rock liner sets sail for<br />

Dover with punk singer Nina<br />

Hagen and the rocker, whose<br />

repertoire nods variously to<br />

nautical themes. The vessel<br />

is scheduled to return on May<br />

8 for the firework display dur-<br />

ing the port of Hamburg’s<br />

birthday celebrations. Then<br />

the Queen Mary II will also be<br />

paying a visit; the first time<br />

she sailed into the harbour,<br />

half a million people lined up<br />

to greet her.<br />

Extending over 3.3 kilometres<br />

and covering a total of<br />

HAMBURG<br />

157 hectares, Hafencity is<br />

still Hamburg’s biggest building<br />

site. The Hafencity information<br />

centre and a model of<br />

the urban development project<br />

are housed in the Kesselhaus,<br />

where the power was<br />

once produced for electrification<br />

of the Speicherstadt. The

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