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Traditional Artist Workshops<br />
Oils<br />
Acrylics<br />
depict emotion<br />
in Science Fiction<br />
Journey with Donato Giancola and discover the painting and storytelling<br />
secrets behind the latest addition to his Empathetic Robots series…<br />
Game of Mind is a private<br />
commission illustrating<br />
a George RR Martin<br />
sci-fi novel, The Glass<br />
Flower. This story was a<br />
perfect fit with my ongoing<br />
explorations in robots and their<br />
blossoming emotional intelligence.<br />
The chance to work with a worldclass<br />
talent like Martin, and the lack<br />
of any commercial pressures, makes<br />
for one of the most pleasurable<br />
experiences of being an illustrator.<br />
Deadlines aren’t critical and my<br />
clients are interested in the quality of<br />
what I create, not when I deliver it.<br />
My obsession with producing<br />
impassioned artworks of narrative<br />
imagery is the reason I continue to<br />
be an oil painter. I not only create<br />
images of the fantastic, but tap into<br />
the motivations of what it means to<br />
be human, with characters grounded<br />
in moments you or I may experience,<br />
regardless whether they’re human or<br />
not. Like this woman embracing<br />
another intelligence, you and I have<br />
likely felt the need to comfort<br />
another or bend to their will. It’s this<br />
merging of the real and surreal that<br />
excites me project after project!<br />
The teenage fan of Tolkien,<br />
D&D and Star Wars is still<br />
inside of Donato, driving him<br />
to produce deeply impassioned<br />
oil paintings. See www.donatoart.com.<br />
Step-by-step: React to the painting as it develops on the canvas<br />
Setting the Stage<br />
1 Once a final composition is roughed<br />
out, extensive references of models and<br />
machinery enable me to create a preliminary<br />
drawing before moving on to colour. The<br />
value structure is established at this phase<br />
and precise anatomical issues with the robot<br />
and human are resolved for a seamless<br />
integration with the environment.<br />
in the MoMent<br />
2 With the composition established,<br />
I explore colour options, letting the painting<br />
talk back to me. I keep this acrylic layer thin,<br />
allowing for fast drying times and quick layer<br />
build up, while retaining the precision of the<br />
underlying drawing. It’s here that the overall<br />
colour harmonies are developed which will<br />
inform the oil layers.<br />
See the Future<br />
3 Knowing where your painting results are<br />
heading can make for more efficient choices<br />
in rendering and visual development. Tattoos<br />
are much easier to add after the flesh has<br />
been illusionistically lit and rendered. Slowing<br />
down to recognise that some layers and<br />
choices need to proceed before others is<br />
part of an evolving professional discipline.<br />
106 August 2017