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ImagineNation Artist Q&A<br />

Question<br />

How do I go about creating a characterful portrait of a creature?<br />

Victoria Swift, England<br />

Answer<br />

Belinda replies<br />

When painting a portrait,<br />

my objective is always to<br />

tell a story through the<br />

pose, expression and<br />

lighting. Achieving all these goals<br />

ensure that i’m able to give my image<br />

a narrative depth. This applies to all<br />

manner of portraits, from humanoid<br />

characters to animal robots.<br />

Knowing the core characteristics of<br />

a character or creature will help me to<br />

begin visualising how they might<br />

look, and give me a starting point<br />

when looking for reference. Are they<br />

a timid creature that spends most of<br />

its day hiding from predators, or are<br />

they a confident apex predator that<br />

strides across the grassy plains. Or<br />

perhaps they’re a sneaky ambusher<br />

that stalks its prey, or a nervous grazer<br />

that roam in packs.<br />

in this painting, i’ve tried to<br />

illustrate a creature called a Hross.<br />

it’s an otter-like race that lives on<br />

the lower planes of the planet<br />

malacandra in cS lewis’ cosmic<br />

Trilogy. i’ve tried to capture the<br />

general qualities of the race, alongside<br />

the environment they live in and<br />

some elements of the lifestyle they<br />

might lead as farmers and fishermen,<br />

while leaving the design open to<br />

expand upon.<br />

A characterful portrait of a<br />

non-human subject relies upon<br />

anthropomorphisation, which is the<br />

use of human traits to describe a<br />

creature or object.<br />

Artist’s secret<br />

Getting to know the creature<br />

I like to find out as many abstract characteristics<br />

of my subject as possible, such as their<br />

personalities, emotional traits and habits. These<br />

are rich sources for the imagination, especially<br />

when paired with physical descriptions.<br />

Step-by-step: painting the portrait of a hross<br />

I start with a rough design of a<br />

generic Hross and then use<br />

silhouettes to explore how best to pose<br />

the figure, to ensure that its character<br />

comes to the fore. I use simple lighting<br />

to give form to the shapes.<br />

I settle on a pose that best expresses<br />

2<br />

their unquestioning and honest<br />

personality traits. Hross also like to create<br />

poetry, so I also want to express their<br />

philosophical nature alongside details that<br />

might indicate their agrarian society.<br />

1 3<br />

Finally I light the scene to hint at the<br />

type of environment that the Hross<br />

live in. Because they live on the lower<br />

planes of the planet I use top-down<br />

lighting, as the steep cliff faces will leave<br />

them mostly in shadow.<br />

30 August 2017

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