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ImagineNation Artist Q&A<br />
Question<br />
How do I go about creating a characterful portrait of a creature?<br />
Victoria Swift, England<br />
Answer<br />
Belinda replies<br />
When painting a portrait,<br />
my objective is always to<br />
tell a story through the<br />
pose, expression and<br />
lighting. Achieving all these goals<br />
ensure that i’m able to give my image<br />
a narrative depth. This applies to all<br />
manner of portraits, from humanoid<br />
characters to animal robots.<br />
Knowing the core characteristics of<br />
a character or creature will help me to<br />
begin visualising how they might<br />
look, and give me a starting point<br />
when looking for reference. Are they<br />
a timid creature that spends most of<br />
its day hiding from predators, or are<br />
they a confident apex predator that<br />
strides across the grassy plains. Or<br />
perhaps they’re a sneaky ambusher<br />
that stalks its prey, or a nervous grazer<br />
that roam in packs.<br />
in this painting, i’ve tried to<br />
illustrate a creature called a Hross.<br />
it’s an otter-like race that lives on<br />
the lower planes of the planet<br />
malacandra in cS lewis’ cosmic<br />
Trilogy. i’ve tried to capture the<br />
general qualities of the race, alongside<br />
the environment they live in and<br />
some elements of the lifestyle they<br />
might lead as farmers and fishermen,<br />
while leaving the design open to<br />
expand upon.<br />
A characterful portrait of a<br />
non-human subject relies upon<br />
anthropomorphisation, which is the<br />
use of human traits to describe a<br />
creature or object.<br />
Artist’s secret<br />
Getting to know the creature<br />
I like to find out as many abstract characteristics<br />
of my subject as possible, such as their<br />
personalities, emotional traits and habits. These<br />
are rich sources for the imagination, especially<br />
when paired with physical descriptions.<br />
Step-by-step: painting the portrait of a hross<br />
I start with a rough design of a<br />
generic Hross and then use<br />
silhouettes to explore how best to pose<br />
the figure, to ensure that its character<br />
comes to the fore. I use simple lighting<br />
to give form to the shapes.<br />
I settle on a pose that best expresses<br />
2<br />
their unquestioning and honest<br />
personality traits. Hross also like to create<br />
poetry, so I also want to express their<br />
philosophical nature alongside details that<br />
might indicate their agrarian society.<br />
1 3<br />
Finally I light the scene to hint at the<br />
type of environment that the Hross<br />
live in. Because they live on the lower<br />
planes of the planet I use top-down<br />
lighting, as the steep cliff faces will leave<br />
them mostly in shadow.<br />
30 August 2017