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i-m-a-g-i-n-efx-august

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Workshops<br />

swallow<br />

in flight<br />

leaf on<br />

the wind<br />

lizard drags<br />

his tail<br />

tiger’s claw<br />

panther stalks<br />

her prey<br />

the cat<br />

scratches<br />

5 mix anD maTch yOur marks<br />

Variety is the spice of art! It’s a simple concept. If I treat the<br />

entire sketch in the same way, why should anyone want to look<br />

beyond the face? Granted, there may be some compelling<br />

storytelling, but ideally the marks will help that story and the<br />

viewers’ eyes to move across the page.<br />

Mark variation can be achieved in different ways. With a<br />

pencil I will change up my grip from laying it flat to holding it<br />

tip down. With pens, and pencils actually, I’ll think about the<br />

different marks I can make if I vary the pressure and speed and<br />

length. Each mark has its own character, shape and story.<br />

crane in<br />

the reeds<br />

dragon flies<br />

in winter<br />

Breath of fire<br />

Mark variation can be achieved in<br />

different ways, and each has its own<br />

character, shape and story<br />

6 enhance your sketches with new tools<br />

Switching up or mixing tools will bring in some flair to sketches, or add some refreshment to a stagnating imagination<br />

a<br />

The versatile brush pen<br />

I can use this for the main lines, and<br />

just for accents. Here it’s doing the heavy<br />

lifting in the line work. I’m simply modifying<br />

the marks shown in tip five, squashing or<br />

stretching them, and varying the speed to<br />

keep the marks wet or make them dry.<br />

B<br />

Detailing with a gel pen<br />

A gel pen like a Hi-Tec-C or a Slicci will<br />

give a great uniform line. I’ll also use this for<br />

the main line work if I don’t pick up the<br />

brush pen. But here I’m simply using it to<br />

add a little spice to the lines and pull out<br />

little details in a way the brush pen can’t.<br />

c markers<br />

I love adding markers to pen sketches,<br />

as either colour or tone accents. Here I’ve<br />

added some skin art to her, a hint of rosy<br />

blushes in areas and some shadows. I keep<br />

the markers simple and let the visceral<br />

nature of the brush pen’s lines sing.<br />

72 August 2017

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