i-m-a-g-i-n-efx-august
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Workshops<br />
swallow<br />
in flight<br />
leaf on<br />
the wind<br />
lizard drags<br />
his tail<br />
tiger’s claw<br />
panther stalks<br />
her prey<br />
the cat<br />
scratches<br />
5 mix anD maTch yOur marks<br />
Variety is the spice of art! It’s a simple concept. If I treat the<br />
entire sketch in the same way, why should anyone want to look<br />
beyond the face? Granted, there may be some compelling<br />
storytelling, but ideally the marks will help that story and the<br />
viewers’ eyes to move across the page.<br />
Mark variation can be achieved in different ways. With a<br />
pencil I will change up my grip from laying it flat to holding it<br />
tip down. With pens, and pencils actually, I’ll think about the<br />
different marks I can make if I vary the pressure and speed and<br />
length. Each mark has its own character, shape and story.<br />
crane in<br />
the reeds<br />
dragon flies<br />
in winter<br />
Breath of fire<br />
Mark variation can be achieved in<br />
different ways, and each has its own<br />
character, shape and story<br />
6 enhance your sketches with new tools<br />
Switching up or mixing tools will bring in some flair to sketches, or add some refreshment to a stagnating imagination<br />
a<br />
The versatile brush pen<br />
I can use this for the main lines, and<br />
just for accents. Here it’s doing the heavy<br />
lifting in the line work. I’m simply modifying<br />
the marks shown in tip five, squashing or<br />
stretching them, and varying the speed to<br />
keep the marks wet or make them dry.<br />
B<br />
Detailing with a gel pen<br />
A gel pen like a Hi-Tec-C or a Slicci will<br />
give a great uniform line. I’ll also use this for<br />
the main line work if I don’t pick up the<br />
brush pen. But here I’m simply using it to<br />
add a little spice to the lines and pull out<br />
little details in a way the brush pen can’t.<br />
c markers<br />
I love adding markers to pen sketches,<br />
as either colour or tone accents. Here I’ve<br />
added some skin art to her, a hint of rosy<br />
blushes in areas and some shadows. I keep<br />
the markers simple and let the visceral<br />
nature of the brush pen’s lines sing.<br />
72 August 2017