17.06.2017 Views

i-m-a-g-i-n-efx-august

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Workshops<br />

Core Skills: Part 6<br />

Manage colour<br />

tools in rebelle<br />

Martin Hanschild concludes his series on Rebelle by taking a look<br />

at working with the program’s colours tools and preset options<br />

Artist<br />

ProFile<br />

Martin<br />

Hanschild<br />

location:<br />

Czech Republic<br />

Martin is a 2D and 3D<br />

character designer<br />

who works in Prague for<br />

motion art house Eallin.<br />

www.hanschild.com<br />

When painting<br />

traditionally, you start<br />

with a limited set of<br />

colours, but you can<br />

achieve a full spectrum<br />

of hues by mixing them. In contrast,<br />

painting digitally gives you a full set<br />

of colours from the moment you<br />

select File>New, no mixing required.<br />

Sometimes it’s useful to adopt a<br />

traditional approach to digital art<br />

and begin a painting with only a<br />

specific set of colours. Rebelle’s Color<br />

Sets are a great tool here: they enable<br />

you to organise and store colours in<br />

a group, and also sort them by colour<br />

moods. This isn’t useful just to group<br />

your most commonly used colours. It<br />

also makes it straightforward to work<br />

with a limited range of hues – ideal<br />

for practice exercises (working just<br />

with shades of grey, brown and so<br />

on, for example) or painting specific<br />

situations where certain colours are<br />

dominant (dawn or dusk, say). And<br />

as you’d expect, Rebelle enables you<br />

to mix colours and create new hues,<br />

much as in traditional painting.<br />

One thing that Rebelle lacks when<br />

compared to other painting programs<br />

is advanced colour management<br />

options. However, you can now save<br />

your artwork as a PSD, enabling you<br />

to make final colour corrections<br />

(and, eventually, prepare for print) in<br />

Photoshop. In most respects Rebelle’s<br />

colour tools work in much the same<br />

way as other painting programs, as<br />

you’ll soon find out. I’ll also mention<br />

colour tracing of reference images,<br />

which is an interesting way to create<br />

a quick base for later work.<br />

In the Color panel<br />

menu, you can<br />

turn on sliders<br />

and switch<br />

between RGB<br />

and HSL mode.<br />

If you want to<br />

tweak saturation<br />

or brightness<br />

while preserving<br />

the hue, use the<br />

HSL sliders.<br />

I use shortcuts mostly for changing<br />

Saturation and Brightness values.<br />

If you need to set a<br />

specific colour with a<br />

code number – using<br />

a colour’s Hex code for<br />

a website, say – click a<br />

colour in the upper left<br />

corner of the Color<br />

panel, and a new Select<br />

Color window appears<br />

with a System Color<br />

Palette. Now copy the<br />

colour code and click<br />

Add to Custom Colors.<br />

The Color Palette<br />

1<br />

In the Color Palette menu, you can choose between a<br />

colour wheel and a square colour palette (which is similar to<br />

Photoshop’s Color Picker). I prefer to use the circular palette,<br />

because it’s much faster to choose a colour. I can easily change<br />

the hue or choose the colour complementary to the selected<br />

colour from the opposite side of the circle.<br />

You can set the sensitivity of the adjustments in Preferences.<br />

Colour sliders<br />

2<br />

You can change HSL values by using either the slider or keyboard<br />

shortcuts. Go to Preferences>Keyboard>Color and set your own shortcuts for<br />

increase/decreasing Hue, Saturation and Lightness. Make sure you choose to<br />

apply this to HSL colour mode – otherwise, it’ll affect RGB values, too.<br />

84 August 2017

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!