i-m-a-g-i-n-efx-august
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Artist insight Add emotion<br />
points of interest: A tale of two species<br />
red is cool<br />
Although the robot is mostly<br />
painted in warm tones of red and<br />
yellow, there are cooler versions<br />
of these colours that can be<br />
utilised to turn form and modify<br />
the temperature of the colour as<br />
it passes from light into shadow.<br />
Frame it<br />
For me, architectural forms are always in<br />
service to the design of my story. Notice<br />
how the background and chair structures<br />
help to frame the interaction between<br />
human and robot – the lines lead you toward<br />
the central focus of the painting.<br />
Materials<br />
PaPer<br />
n Strathmore toned<br />
drawing paper<br />
Paint<br />
n Holbien, Rembrandt,<br />
Winsor & Newton,<br />
Utrecht and Old<br />
Holland oil paints<br />
n Golden acrylic paints<br />
BruSheS<br />
n Sable watercolour<br />
rounds sizes 0-2<br />
(great for small details)<br />
n Sable Filberts,<br />
sizes 6-12<br />
More than tattoos<br />
The predator/prey relationship between the animals<br />
within the tattoos reinforces the roles playing out<br />
between robot and human. The organic design to<br />
the tattoos helps to increase the tension between<br />
the living forms versus the geometric mechanics of<br />
the robot and environment.<br />
add depth<br />
with details<br />
I stress out about<br />
what the rug should<br />
carry as a pattern<br />
almost as much as<br />
I do on what the<br />
tattoos should be!<br />
These thoughtful<br />
inclusions in the<br />
secondary objects<br />
and backgrounds<br />
provide wonderful<br />
narrative depth to<br />
your art.<br />
August 2017<br />
109