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ExclusivE vidEo tuition!<br />
Watch our videos to gain a unique insight into how our artists create their stunning art<br />
workSHop videoS<br />
Issue 150 August 2017<br />
Photobashing an illustration<br />
In Dave Seeley’s detailed workshop, over on<br />
page 78, the artist reveals how he’s able to<br />
combine disparate photo sources.<br />
q&a video<br />
Paint a magical spell<br />
On page 31 Sara Forlenza explains how she<br />
uses Photoshop’s Color Dodge layers and<br />
Opacity levels to illustrate a spell in action.<br />
training<br />
illustrate huge waves breaking on the rocks<br />
Visualising a wave as a tubular shape that’s falling onto itself will help you light and<br />
paint it, says Sara Folenza in her Q&A article, which you can find by turning to page 35.<br />
150 cUStoM BrUSHeS, inclUding…<br />
loish_oil PastEl<br />
Lois van Baarle uses this brush for<br />
building up a chunky painting look.<br />
PEncil<br />
Sean Sevestre’s use of this scatter<br />
brush may surprise some artists!<br />
Environment creation for<br />
Film & cinematics (clip)<br />
See page 97 for our review of this video.<br />
watEr sPlash<br />
Sara Forlenza took a photo of a<br />
paint splatter to create this brush.<br />
August 2017<br />
7
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